Picasso and Portraiture. Representation and Transformation
8 Angebote vergleichen

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Anybook Ltd.
Thames & Hudson, 1996. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, Colin Martin Art Books.
London: Thames and Hudson, 1996. Book. Fine. Hardcover. Qto. 495 pages, 757 illustrations, 216 in colour. Only light and minimal signs of use. A Fine copy in a Fine dust jacket..

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, ProPen.
NY: Museum of Modern Art, 1996. Lovely copy neat and clean. Essays by Anne Baldassari, Pierre Daix, Michael FitzGerals, Brigitte Leal, marily McCully, Robert rosenblum, William Rubin, Helene Seckel and kirk Varnedoe. A mammoth accomplishment. I have factored the extra postage into my price.. Assume 1st Thus. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Museum Exhibition.

Von Händler/Antiquariat, Thomas Heneage Art Books, Londres.
Rubin, William ed. et al: Picasso and Portraiture. Representation and Transformation. Exhibition: New York, Museum of Modern Art, 1996. 496 pages with 757 illustrations (216 in colour). Hardback. 31x23.7cms. Published to accompany a major exhibition at The Museum of Modern Art, New York, this definitive work on the subject comprises eleven authoritative essays by Rubin and contemporary critics, supported by a wealth of documentary images.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, James & Mary Laurie Booksellers (A.B.A.A.).
New York: Thames and Hudson, 1996. 1st. Hardcover. Fine/Fine. With 757 illustrations, 216 in color. Bound in publisher's original navy blue cloth with the spine stamped in silver.

Lieferung aus: Niederlande, 1 - 2 weken.
Paagman.nl.
The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other m... The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other media to illustrate the solutions Picasso invented to solve the problem of the modernist portrait. Published to accompany an exhibition to be shown at The Museum of Modern Art, New York, in 1996, the book contains eight essays examining different periods and aspects of Picasso's career. The personal relationships between Picasso and his subjects are clarified. Contributions come from Anne Baldassari, Pierre Daix, Michael Fitzgerald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel and Kirk Varnedoe.Taal: Engels;Afmetingen: 44x305x230 mm;Gewicht: 3,14 kg;Verschijningsdatum: april 1996;Druk: 1;ISBN10: 0500237247;ISBN13: 9780500237243; Engelstalig | Hardcover | 1996.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
art,arts music and photography,biographies,children's,children's books,collections catalogs and exhibitions,criticism,history,history and criticism,individual artists, Picasso and Portraiture : Representation and Transformation, Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here - most of them unfamiliar, some virtually unknown - demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity. The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Crunruh Books, IL, Evanston, [RE:4].
** BRAND NEW **, Hard cover.