Aretin: Or, A Dialogue On Painting. From The Italian Of
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Aretin: Or, A Dialogue On Painting. From The Italian Of
EN NWISBN: 9781170767283 bzw. 1170767281, in Englisch, Gale ECCO, Print Editions, neu.
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Lodovico Dolce, Books, Art and Architecture, Aretin: Or, A Dialogue On Painting. From The Italian Of Lodovico Dolce. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) N029695 With a final advertisement leaf. Glasgow : printed for Robert Urie, MDCCCLXX [1770]. 218,[2]p. ; 8deg.
Lodovico Dolce, Books, Art and Architecture, Aretin: Or, A Dialogue On Painting. From The Italian Of Lodovico Dolce. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) N029695 With a final advertisement leaf. Glasgow : printed for Robert Urie, MDCCCLXX [1770]. 218,[2]p. ; 8deg.
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