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Ezra Pounds Radio Operas - The BBC Experiments 1931-1933
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Bester Preis: € 170,53 (vom 30.10.2016)Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933 (2002)
ISBN: 9780262062268 bzw. 0262062267, in Englisch, The MIT Press, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Spellbound.
The MIT Press. Hardcover. 0262062267 LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line on bottom/exterior edge of pages. PA Sales Tax is included in purchase price. . Fine. 2002-06-28. 1st.
Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933 (2002)
ISBN: 9780262062268 bzw. 0262062267, in Englisch, The MIT Press 2002-06-28, gebundenes Buch, gebraucht, Erstausgabe.
0262062267 LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line on bottom/exterior edge of pages. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price.
Ezra Pound's Radio Operas. The BBC Experiments, 1931-1933. (2002)
ISBN: 9780262062268 bzw. 0262062267, in Englisch, The MIT Press, Cambridge, Massachusetts, gebundenes Buch, gebraucht, Erstausgabe, mit Einband.
Royal octavo in dust jacket, xiv, 319 pp., b/w photos, notes, reference, index "Ezra Pound, best known for his Cantos, referred to himself as a "poet and composer" in the 1929 edition of Who's Who. His two BBC radio operas have been obscured by the polemics of his Italian radio broadcasts and his indictment by the United States government for treason during World War II. In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career. "Archie" Harding, an advocate of mass microphone access in Britain and the first to produce a global radio linkup, tutored Pound in radio's theoretical and political potential, as well as in specific radio techniques.Pound's first radio opera, transmitted in October 1931 under the title The Testament of François Villon, was one of the first electronically enhanced operas to be broadcast in Europe. At Harding's request, Pound wrote a second radio opera, Cavalcanti. Although the opera was thought to be unfinished and lost at the time of Pound's death, in 1983 the American composer and conductor Robert Hughes located the various manuscripts and assembled a complete work.Fisher examines Pound's reasons for composing and his theatrical models. She discusses the sound design of the 1931 production, as well as the context in which Pound wrote his radio operas--artistic trends in film and radio, various broadcasting organizations and facilities, and contemporary radio techniques. She also compares Pound's radio experiments to those of F. T. Marinetti, Walter Ruttman, and Bertolt Brecht. The book, which contains the 1931 radio script and producer's notes, provides the necessary background and analysis to facilitate a recreation of the 1931 broadcast, a contemporary stage performance, or a film or video production." from the flap copy.
Ezra Pound's Radio Operas : The BBC Experiments, 1931-1933 (1933)
ISBN: 9780262272728 bzw. 0262272725, in Englisch, The MIT Press, neu, E-Book, elektronischer Download.
A study of Ezra Pound's experimental BBC radio operas of the 1930s.Ezra Pound, best known for his Cantos, referred to himself as a "poet and composer" in the 1929 edition of Who's Who. His two BBC radio operas have been obscured by the polemics of his Italian radio broadcasts and his indictment by the United States government for treason during World War II. In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career. "Archie" Harding, an advocate of mass microphone access in Britain and the first to produce a global radio linkup, tutored Pound in radio's theoretical and political potential, as well as in specific radio techniques.Pound's first radio opera, transmitted in October 1931 under the title The Testament of Francois Villon, was one of the first electronically enhanced operas to be broadcast in Europe. At Harding's request, Pound wrote a second radio opera, Cavalcanti. Although the opera was thought to be unfinished and lost at the time of Pound's death, in 1983 the American composer and conductor Robert Hughes located the various manuscripts and assembled a complete work.Fisher examines Pound's reasons for composing and his theatrical models. She discusses the sound design of the 1931 production, as well as the context in which Pound wrote his radio operas-artistic trends in film and radio, various broadcasting organizations and facilities, and contemporary radio techniques. She also compares Pound's radio experiments to those of F. T. Marinetti, Walter Ruttman, and Bertolt Brecht. The book, which contains the 1931 radio script and producer's notes, provides the necessary background and analysis to facilitate a recreation of the 1931 broadcast, a contemporary stage performance, or a film or video production.
Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933 (2002)
ISBN: 9780262062268 bzw. 0262062267, in Englisch, 334 Seiten, The MIT Press, gebundenes Buch, neu, Erstausgabe.
Von Händler/Antiquariat, -Daily Deals-.
Ezra Pound, best known for his Cantos, referred to himself as a "poet and composer" in the 1929 edition of Who's Who. His two BBC radio operas have been obscured by the polemics of his Italian radio broadcasts and his indictment by the United States government for treason during World War II. In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career. "Archie" Harding, an advocate of mass microphone access in Britain and the first to produce a global radio linkup, tutored Pound in radio's theoretical and political potential, as well as in specific radio techniques.Pound's first radio opera, transmitted in October 1931 under the title The Testament of François Villon, was one of the first electronically enhanced operas to be broadcast in Europe. At Harding's request, Pound wrote a second radio opera, Cavalcanti. Although the opera was thought to be unfinished and lost at the time of Pound's death, in 1983 the American composer and conductor Robert Hughes located the various manuscripts and assembled a complete work.Fisher examines Pound's reasons for composing and his theatrical models. She discusses the sound design of the 1931 production, as well as the context in which Pound wrote his radio operas -- artistic trends in film and radio, various broadcasting organizations and facilities, and contemporary radio techniques. She also compares Pound's radio experiments to those of F. T. Marinetti, Walter Ruttman, and Bertolt Brecht. The book, which contains the 1931 radio script and producer's notes, provides the necessary background and analysis to facilitate a recreation of the 1931 broadcast, a contemporary stage performance, or a film or video production., Hardcover, Ausgabe: 1st, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2002-06-28, Studio: The MIT Press, Verkaufsrang: 3006606.
Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933 (2002)
ISBN: 9780262062268 bzw. 0262062267, in Englisch, The MIT Press, gebundenes Buch.
Von Händler/Antiquariat, Ergodebooks.
The MIT Press, 2002-06-28. Hardcover. Used:Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service.
Ezra Pounds Radio Operas - The BBC Experiments 1931-1933 (1986)
ISBN: 9783805544641 bzw. 3805544642, in Deutsch, neu.
Von Händler/Antiquariat, Magazin Aziya, [3458207].
Das BuchEzra Pounds Radio Operas - The BBC Experiments 1931-1933könnte eine längere Lieferzeit habenSie zahlen eine Versandpauschale für bis zu fünf Bücher Typ:book Ezra Pounds Radio Operas - The BBC Experiments 1931-1933, Neuware, 4225g.