The Political Unconscious, Narrative as a Socially Symbolic Act
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Bester Preis: € 16,49 (vom 28.06.2016)1
The Political Unconscious (2013)
EN NW EB DLISBN: 9781136749216 bzw. 1136749217, in Englisch, Routledge, Routledge, Routledge, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
In this ground-breaking and influential study Fredric Jameson explores the complex place and function of literature within culture. At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century. century.
In this ground-breaking and influential study Fredric Jameson explores the complex place and function of literature within culture. At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century. century.
2
The Political Unconscious, Narrative as a Socially Symbolic Act (2013)
EN NW EBISBN: 9781136749216 bzw. 1136749217, in Englisch, Routledge, neu, E-Book.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
In this ground-breaking and influential study Fredric Jameson explores the complex place and function of literature within culture. At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century.century. Productinformatie:Taal: Engels;Oorspronkelijke titel: The Political Unconscious;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 1136749217;ISBN13: 9781136749216;Product breedte: 140 mm;Product hoogte: 19 mm;Product lengte: 216 mm; Engels | Ebook | 2013.
bol.com.
In this ground-breaking and influential study Fredric Jameson explores the complex place and function of literature within culture. At the time Jameson was actually writing the book, in the mid to late seventies, there was a major reaction against deconstruction and poststructuralism. As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century.century. Productinformatie:Taal: Engels;Oorspronkelijke titel: The Political Unconscious;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 1136749217;ISBN13: 9781136749216;Product breedte: 140 mm;Product hoogte: 19 mm;Product lengte: 216 mm; Engels | Ebook | 2013.
3
Signatures of the Visible (2013)
EN NW EB DLISBN: 9781135200213 bzw. 1135200211, in Englisch, Taylor & Francis, Taylor & Francis, Taylor & Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25.
"The visual is essentially ***graphic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating therelationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself." that today, it is only through his kind of deconstructionist Marxism that one can really enjoy the taste of Hitchcock, Kubrick, Lumet...The magic of Jameson's writing, the je ne sais quoi which makes it an instant classic, is the unique combination of the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema (Slavoj Zizek).
"The visual is essentially ***graphic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating therelationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself." that today, it is only through his kind of deconstructionist Marxism that one can really enjoy the taste of Hitchcock, Kubrick, Lumet...The magic of Jameson's writing, the je ne sais quoi which makes it an instant classic, is the unique combination of the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema (Slavoj Zizek).
4
Signatures of the Visible
EN NW EB DLISBN: 9781135200213 bzw. 1135200211, in Englisch, Taylor & Francis, Taylor & Francis, Taylor & Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
The visual is essentially ***graphic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating therelationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself." that today, it is only through his kind of deconstructionist Marxism that one can really enjoy the taste of Hitchcock, Kubrick, Lumet. The magic of Jameson's writing, the je ne sais quoi which makes it an instant classic, is the unique combination of the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema (Slavoj Zizek).
The visual is essentially ***graphic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating therelationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself." that today, it is only through his kind of deconstructionist Marxism that one can really enjoy the taste of Hitchcock, Kubrick, Lumet. The magic of Jameson's writing, the je ne sais quoi which makes it an instant classic, is the unique combination of the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema (Slavoj Zizek).
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