Something Borrowed Something Blue: Principles of Jazz Composition (Advance Music)
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1
Jaffe, A: Something Borrowed Something Blue (2001)
~EN PB NW
ISBN: 9783892211228 bzw. 3892211221, vermutlich in Englisch, Advance music GmbH, Taschenbuch, neu.
Lieferung aus: Schweiz, Versandfertig innert 4 - 7 Werktagen.
'...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expres-sion, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition?'...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expres-sion, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition? Taschenbuch, 25.05.2001.
'...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expres-sion, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition?'...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expres-sion, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition? Taschenbuch, 25.05.2001.
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Symbolbild
Something Borrowed Something Blue: Principles of Jazz Composition (Advance Music) (2016)
~EN PB US
ISBN: 9783892211228 bzw. 3892211221, vermutlich in Englisch, Alfred Music, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, Books Express, ME, Kittery, [RE:2].
"Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service! ", Paperback.
Von Händler/Antiquariat, Books Express, ME, Kittery, [RE:2].
"Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service! ", Paperback.
3
Something Borrowed Something Blue Principles of Jazz Composition (2001)
~EN US
ISBN: 9783892211228 bzw. 3892211221, vermutlich in Englisch, advance music GmbH, gebraucht.
Lieferung aus: Deutschland, plus shipping.
Von Händler/Antiquariat, Noten-Shop, 55116 Mainz.
Lehrbuch 285 S., Broschur ...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expression, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition? Forword - General Questions and Principles - Motivic Identiy and Reieration - The Blues - Harmony - Form - Compositional Uses of Rhythm - Appropriatiion and Adaption - Analysis of Selected Compositions - Index - Glossary - Bibliography - Discography - Copyright Notices - Acknowledgements of Sources Consulted - About the Author Versand D: 3,00 EUR.
Von Händler/Antiquariat, Noten-Shop, 55116 Mainz.
Lehrbuch 285 S., Broschur ...Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as Blues and 32-bar songforms to extended through composed pieces, to those based on adaptation of European classical formal procedures such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, from Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus and John Coltrane, to Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal and John Lewis, among many others. The extensive bibliography, discography and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expression, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition? Forword - General Questions and Principles - Motivic Identiy and Reieration - The Blues - Harmony - Form - Compositional Uses of Rhythm - Appropriatiion and Adaption - Analysis of Selected Compositions - Index - Glossary - Bibliography - Discography - Copyright Notices - Acknowledgements of Sources Consulted - About the Author Versand D: 3,00 EUR.
4
Symbolbild
Something Borrowed Something Blue: Principles of Jazz Composition (2016)
~EN PB US
ISBN: 9783892211228 bzw. 3892211221, vermutlich in Englisch, Alfred Music, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, zzgl. Versandkosten, Versandgebiet: EUR.
Von Händler/Antiquariat, GreatBookPricesUK5, Derbyshire, Castle Donington, [RE:4].
Trade paperback.
Von Händler/Antiquariat, GreatBookPricesUK5, Derbyshire, Castle Donington, [RE:4].
Trade paperback.
5
Symbolbild
Something Borrowed Something Blue: Principles of Jazz Composition (Advance Music) (2016)
~EN PB NW
ISBN: 9783892211228 bzw. 3892211221, vermutlich in Englisch, Alfred Music, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
Paperback.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
Paperback.
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