Nahum Habakuk Zefanja - 9 Angebote vergleichen
Bester Preis: € 60,17 (vom 11.10.2019)1
9781845456603 (2010)
~EN HC NWISBN: 9781845456603 bzw. 1845456602, vermutlich in Englisch, Ingram Publishers Services, gebundenes Buch, neu.
Lieferung aus: Schweiz, Versandfertig innert 4 - 7 Werktagen.
Early Film Theory: ´Visible Man´ and ´The Spirit of Film´, Béla Balázs´s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs´s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the ´golden age´ of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich´s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen´s Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. gebundene Ausgabe, 19.05.2010.
Early Film Theory: ´Visible Man´ and ´The Spirit of Film´, Béla Balázs´s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs´s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the ´golden age´ of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich´s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen´s Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. gebundene Ausgabe, 19.05.2010.
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9781845456603 (2010)
~EN HC NWISBN: 9781845456603 bzw. 1845456602, vermutlich in Englisch, Ingram Publishers Services, gebundenes Buch, neu.
Lieferung aus: Deutschland, Lieferbar in 3 - 5 Tagen.
Early Film Theory: ´Visible Man´ and ´The Spirit of Film´ Béla Balázs´s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs´s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the ´golden age´ of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich´s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen´s Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. 19.05.2010, gebundene Ausgabe.
Early Film Theory: ´Visible Man´ and ´The Spirit of Film´ Béla Balázs´s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs´s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the ´golden age´ of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich´s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen´s Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. 19.05.2010, gebundene Ausgabe.
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Bela Balazs (2010)
~EN NWISBN: 9781845456603 bzw. 1845456602, vermutlich in Englisch, Berghahn Books, neu.
Lieferung aus: Deutschland, Lieferbar in 3 - 5 Tagen.
Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich's Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen's Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. gebundene Ausgabe, 19.05.2010.
Béla Balázs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs's detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution - such contemporaries as Arnheim, Kracauer and Benjamin - to critical debate on film in the 'golden age' of the Weimar silents. Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin. Erica Carter is Professor of German Studies at the University of Warwick. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich's Ghosts. The Sublime and the Beautiful in Third Reich Film (2004). Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen's Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others. gebundene Ausgabe, 19.05.2010.
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EN NWISBN: 9781845456603 bzw. 1845456602, in Englisch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Versandfertig in 5 - 7 Tagen.
Early Film Theory: 'Visible Man' and 'The Spirit of Film', Bela Balazs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world.
Early Film Theory: 'Visible Man' and 'The Spirit of Film', Bela Balazs's two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world.
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Walter Sinnott-Armstrong, Christian B. Miller, Editor: Walter Sinnott-Armstrong, Editor: Christian B. Miller
Moral Psychology: The Evolution of Morality: Adaptations and Innateness (2007)
EN NW EB DLISBN: 9780262302968 bzw. 0262302969, Band: 1, in Englisch, 608 Seiten, A Bradford Book, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, ebook for download, Free shipping.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Moral Psychology - The Evolution of Morality: Adaptations and Innateness
~EN NW EB DLISBN: 9780262302968 bzw. 0262302969, Band: 1, vermutlich in Englisch, The MIT Press, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Bela Early Film Theory: Visible Man and the Spirit of Film (2010)
EN HC NWISBN: 9781845456603 bzw. 1845456602, in Englisch, 314 Seiten, Berghahn Books, gebundenes Buch, neu.
Lieferung aus: Kanada, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.ca.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Amazon.ca.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
Bela Early Film Theory: Visible Man and the Spirit of Film (2010)
EN HC USISBN: 9781845456603 bzw. 1845456602, in Englisch, 314 Seiten, Berghahn Books, gebundenes Buch, gebraucht.
Lieferung aus: Kanada, Usually ships within 1 - 2 business days.
Von Händler/Antiquariat, Daily-Deal-.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Daily-Deal-.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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