Sorry I Don't Dance: Why Men Refuse to Move Format: Paperback
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Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
If you want to learn about masculinity, ask a man if he likes to dance. One man in this study answered, "Music is something that goes on inside my head, and is sort of divorced from, to a large extent, the rest of my body." How did this man's head become divorced from his body? To answer this question, Maxine Craig sought out men who love music but hate to dance. Combining interviews, participant observation and archival research, Sorry I Don't Dance uncovers the recent origins of cultural assum... If you want to learn about masculinity, ask a man if he likes to dance. One man in this study answered, "Music is something that goes on inside my head, and is sort of divorced from, to a large extent, the rest of my body." How did this man's head become divorced from his body? To answer this question, Maxine Craig sought out men who love music but hate to dance. Combining interviews, participant observation and archival research, Sorry I Don't Dance uncovers the recent origins of cultural assumptions regarding sex, race, and the capacity to dance. From the beginning of the twentieth century through the Swing Era young men of all races danced. But in the 1960s suburbanization, homophobia, and fragmentation of music cultures drove white men from the dance floor, and feminized, sexualized and racialized dance. Sorry I Don't Dance reveals how changing beliefs concerning gender, race, class, and sexuality over the past half-century have redefined what it means to be a man in America. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0199335206;ISBN13: 9780199335206; Engels | Ebook | 2015.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, BuySomeBooks.
Oxford University Press, USA. Paperback. New. Paperback. 256 pages. That men dont dance is a common stereotype. As one man tried to explain, Music is something that goes on inside my head, and is sort of divorced from, to a large extent, the rest of my body. How did this mans head become divorced from his body While it may seem natural and obvious that most white men dont dance, it is actually a recent phenomenon tied to the changing norms of gender, race, class, and sexuality. Combining archival sources, interviews, and participant observation, Sorry I Dont Dance analyzes how, within the United States, recreational dance became associated with women rather than men, youths rather than adults, and ethnic minorities rather than whites. At the beginning of the twentieth century and World War II, lots of ordinary men danced. In fact, during the first two decades of the twentieth century dance was so enormously popular that journalists reported that young people had gone dance mad and reformers campaigned against its moral dangers. During World War II dance was an activity associated with wholesome masculinity, and the USO organized dances and supplied dance partners to servicemen. Later, men in the Swing Era danced, but many of their sons and grandsons do not. Turning her attention to these contemporary wallflowers, Maxine Craig talks to men about how they learn to dance or avoid learning to dance within a culture that celebrates masculinity as white and physically constrained and associates both femininity and ethnically-marked men with sensuality and physical expressivity. In this way, race and gender get into bodies and become the visible, common sense proof of racial and gender difference. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.

Lieferung aus: Niederlande, Vermoedelijk 2-3 weken.
bol.com.
That men don't dance is a common stereotype. As one man tried to explain, Music is something that goes on inside my head, and is sort of divorced from, to a large extent, the rest of my body. How did this man's head become divorced from his body? While it may seem natural and obvious that most white men don't dance, it is actually a recent phenomenon tied to the changing norms of gender, race, class, and sexuality. Combining archival sources, interviews, and participant observation, Sorry I Don'... That men don't dance is a common stereotype. As one man tried to explain, Music is something that goes on inside my head, and is sort of divorced from, to a large extent, the rest of my body. How did this man's head become divorced from his body? While it may seem natural and obvious that most white men don't dance, it is actually a recent phenomenon tied to the changing norms of gender, race, class, and sexuality. Combining archival sources, interviews, and participant observation, Sorry I Don't Dance analyzes how, within the United States, recreational dance became associated with women rather than men, youths rather than adults, and ethnic minorities rather than whites. At the beginning of the twentieth century and World War II, lots of ordinary men danced. In fact, during the first two decades of the twentieth century dance was so enormously popular that journalists reported that young people had gone dance mad and reformers campaigned against its moral dangers. During World War II dance was an activity associated with wholesome masculinity, and the USO organized dances and supplied dance partners to servicemen. Later, men in the Swing Era danced, but many of their sons and grandsons do not. Turning her attention to these contemporary wallflowers, Maxine Craig talks to men about how they learn to dance or avoid learning to dance within a culture that celebrates masculinity as white and physically constrained and associates both femininity and ethnically-marked men with sensuality and physical expressivity. In this way, race and gender get into bodies and become the visible, common sense proof of racial and gender difference.Taal: Engels;Afmetingen: 20x237x162 mm;Gewicht: 550,00 gram;Verschijningsdatum: december 2013;ISBN10: 0199845271;ISBN13: 9780199845279; Engelstalig | Hardcover | 2013.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Why Men Refuse to Move, Why Men Refuse to Move.

Von Händler/Antiquariat, Media Mall [57912909], Fyshwick, ACT, Australia.
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Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
Oxford University Press, 2013-11-11. Paperback. Used:Good. Ships Fast. Expedite Shipping Available.

Lieferung aus: Australien, Versandkosten nach: USA.
Von Händler/Antiquariat, Media Mall.
Oxford Univ Pr on Demand, 2013. Hardcover. New. SKU: MM-21425639; EAN: 9780199845279.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, El Pinarillo Books.
Oxford University Press, Usa, 2013. Book. New. Paperback. New and in stock.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, One Stop Music Shop Inc. NY, Churchville, [RE:3].
Hard cover.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
Paperback.