Matrix 17 [ A Review for Printers and Bibliophiles ] Number Seventeen. [ Winter 1997, de luxe edition ].
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Von Händler/Antiquariat, Wykeham Books [162256], LONDON, United Kingdom.
Special limited edition, 1 of 95 copies, from a total edition of 950 copies. Quarter-bound in Oasis leather and paper marbled by Colleen Gryspeerdt, and with a separate portfolio of engravings by Brian Hascomb, 4to, 234 pp, mounted specimen leaves, inserts, plates, illustrations, many colour, some folding. The Winter 1995 issue of this highly literate and gloriously produced chronicle of fine printing, private press work and the book arts. Each issue of Matrix is not only a thoroughly enjoyable read but also a visual and tactile delight with numerous tipped-in specimen papers, pieces of fine printing, etc - it really cannot be too highly recommended. Contents - Outsiders Chasing Dreams: Guido Morris and Anthony Froshaug, by Robin Kinross; Letters are Things: the Wood-engraved Initials of Eric Gill, by Sebastian Carter; William Morris: the Building of a Book, by Fiona MacCarthy; Meadows ., by Theo Rehak; Sydney Cockerell and the Kelmscott Press, by William S. Peterson; Typography and Parsons, by Ruari McLean; The Compositor as Publisher, by Wolfgang Tiessen; Front Croxley Moor to Bodmin Moor, by Brian Hanscomb; Sweet Cork of Thee, and the Popular Books of Robert Gibbings, by Martin Andrews; Paper, Papyrus and Pseudo-papyrus, by Maureen and Brian Richardson; Paul Landacre and the Ward Ritchie Press, by Ward Ritchie; A Portrait of a Press, by R. W. Chapman; Artist's Impressions, by Susan Allix; Two Birds with One Stone, by Henry Morris; John Dreyfus: Into Print, by David McKitterick; Evelyn Waugh and the Private Press World, by Richard Emeny; Fernand Baudin and l'Effet Gutenberg, by John Dreyfus; Design and Print in the '30s, by Enid Marx; Edward Johnston and Letter Spacing, by Colin Banks; The Making of 'The Mabinogion', 1944-8: Some Letters between Christopher Sandford, Gwyn Jones and Dorothea Braby, by Roderick Cave; An Edwardian Printer's Progress, by Raymond Brown; Private Press Books 1994: a Review, by David Chambers; Book Reviews, by Peter Foden, David Esslemont and David Butcher; Index to Matrix 11 -15, by David Butcher. Copy No. XXVII. Fine in Fine slipcase.

Von Händler/Antiquariat, Wykeham Books [162256], LONDON, United Kingdom.
Special limited edition, 1 of 80 copies, from a total edition of 850 copies. Quarter-bound in Oasis leather and paper marbled by Rebecca Gryspeerdt, and containg a separate portfolio of engravings by Joan Ellis 4to, 195 pp, mounted specimen leaves, inserts, plates, illustrations, many colour, some folding. The Winter 1997 issue of this highly literate and gloriously produced chronicle of fine printing, private press work and the book arts. Each issue of Matrix is not only a thoroughly enjoyable read but also a visual and tactile delight with numerous tipped-in specimen papers, pieces of fine printing, etc - it really cannot be too highly recommended. Contents - The Typographical Importance of Maximilien Vox, by John Dreyfus; Washi Tour, Japan, by Maureen Richardson; Punch-cutting and Printing Ungut & Stanislaus, by Richard Arlin; The Southwold Columbian, by Olive Cook; The Compleat Caslon, by Justin Howes; Joan Ellis: a Lost Engraver from the Underwood School, by Hal Bishop; Bowne & Co., Stationers, by Barbara Henry; Caslon - a Lively Survival, by Alan Dodson; The Dust-jacket Designs of Hermann Zapf, by Jerry Kelly; Two Oxford Bible Types, by Paul Luna; The Ratdolt-Hammer Synthesis, by Theo Rehak; Bishop Fell's Overlooked Bequest in the OUP Museum by Peter Foden; The Digitised Golden Cockerel, by Sebastian Carter; Some Typographical Journals, 1900-1939, by Ruari McLean; Saving Face: the ITC Golden Cockerel Type, by Roderick Cave; Dada, what did YOU do in the Great War?, by Mike Hudson; Folio, a Cockerel's Fledgling, by Roderick Cave; El Lissitzky 1914-1924: `Prouns' to `Die Kunstismen', by Adela Spindler Roatcap; Bruce Rogers and the Harvard University Press: some less-known work, by J. F. Coakley; Private Press Books 1996: a Review, by David Chambers; Portraits of Presses, by John Randle; Book Reviews, by Dan Carr, John O'Connor, John Dreyfus, David Butcher, Simon Lawrence, David Esslemont; The Book Collection of Leonard and Dorothy Elmhirst at Dartington Hall, by Lottie Hoare. Copy No. XXXI.Spine a little darkened, otherwise Fine in Fine slipcase. Books.

Von Händler/Antiquariat, Wykeham Books [162256], LONDON, United Kingdom.
Special limited edition, 1 of 85 copies, from a total edition of 825 copies. Quarter-bound in Oasis leather and marbled paper, and containing a separate portfolio of engravings by Reg Boulton, 4to, 198 pp, mounted specimen leaves, inserts, plates, illustrations, many colour, some folding. The Winter 2002 issue of this highly literate and gloriously produced chronicle of fine printing, private press work and the book arts. Each issue of Matrix is not only a thoroughly enjoyable read but also a visual and tactile delight with numerous tipped-in specimen papers, pieces of fine printing, etc - it really cannot be too highly recommended. Contents- New York Revisited, by Kenneth Auchincloss; The Incunabula of the Rampant Lions Press, by Sebastian Carter; The Birth of a Book: Ravilious at War, by Simon Lawrence and Anne Ullmann; Charlene Garry and the Basilisk Press, by Bernard Roberts; Collaboration, by Wesley W. Bates and William Rueter; A Decade in the Writing: the Biography of Robert Gibbings, by Martin Andrews; Playing with Kabel, by John Grice; Indian toys, by Graham Moss and Kathy Whalen; Looking for Cockerel Eggs, by Roderick Cave; Jackdaws: Lost and Found after Forty Years, by Alan Powers; One Hundred and Fifty Years of Type and Printing Machinery at Nebiolo, by Enrico Tallone; Henry Moore: Books and Friendships, by Alan Wilkinson; gy, ou la Promenade Fantastique, by Nelly Gable; Reg Boulton - Artist-Engraver, by Hal Bishop; Tiern - Creating a New Type, by Nicholas Parry; Cutting Parmenides, by Dan Carr; Ernest A. Lindner, by Nicolas Barker; On Collecting Homer, by Michael C. Lang; The Woodcut Novels of Lynd Ward, by David A. Berona; Close Encounters with Gutenberg - The Justification of Johann Gutenberg and 'G', by Douglas Martin; Gudrun Zapf von Hesse, by John Dreyfus; Private Press Books 2001- a Review, by David Chambers; Book Reviews, by Alan Powers, Ruari Mclean, Bernard Roberts, Bill Stewart, Michael Harvey, Pat Jaff Simon Mcminn, Ronald Gordon, Crispin Elsted, Roderick Cave and John Randle. Copy No. LIII. Fine in Fine slipcase.

Von Händler/Antiquariat, Wykeham Books [162256], LONDON, United Kingdom.
Special limited edition, 1 of 80 copies, from a total edition of 825 copies. Quarter-bound in Oasis leather and paper marbled by Colleen Gryspeerd, and with a separate portfolio of engravings by Rachel Reckitt, 4to, 236 pp, mounted specimen leaves, inserts, plates, illustrations, many colour, some folding. The Winter 1998 issue of this highly literate and gloriously produced chronicle of fine printing, private press work and the book arts. Each issue of Matrix is not only a thoroughly enjoyable read but also a visual and tactile delight with numerous tipped-in specimen papers, pieces of fine printing, etc - it really cannot be too highly recommended. Contents - Typographer and Comp, by Michael Clapham; Jan Tschichold, An Afterword, by Ruari McLean; Ben Nicholson and Printing, by Alan Powers; LA Type, by Wm Erik Voss; The Fanfare Press, by David McKitterick; Photography and the Visual Arts, by Olive Cook; Bruce Rogers and The Rime of the Ancient Mariner by Michael Johnson; Rachel Reckitt: Letters from the Blitz, by Hal Bishop; Characters in Search of an Author, by Brian Webb; Memories of Joseph Thorp, by Jonah Jones; Gravure at Thames and Hudson, By Ian Mackenzie-Kerr; Zodiaque and Heliogravure, by Sheila Hönigsberg; Forging Links at the Latin Press: Some Letters between Guido Morris and Will Ransom, edited by Roderick Cave; My First Years as a Printer, by Guido Morris; Researching the Revival of the Fell Types, by Martyn Ould and Martyn Thomas; An English Printer in Paris, by Michael Caine; The Significance of Sixteen-point Body, by Theo Rehak; A Curious View of Book Design at the University Printing House in Cambridge, 1939-56, by John Dreyfus; The Papermaking Girls of the Maqattam Garbage Settlement, by Maureen Richardson; From Pink Order to Blue Label, by Michael Black; Dinner with the Wangs: Ceremonial Papers of the Chinese, Part 3, by Roderick Cave; Type for Books, and Books for Type, by Sebastian Carter; A Sentimental Typographic Journey, by Paul Hayden Duensing; The Ultimate Type Specimen Book, by Roy Millington; Enid Marx, R.D.I, by Alan Powers; Fabrics for Hard Wear, by Enid Marx; Edward Craig, by John Randle; Rewriting History? Observations on the Centenary Issue of The Monotype Recorder, by Dan Carr; Private Press Books 1997: a Review, by David Chambers; Book Reviews, by Simon Lawrence, David McKitterick, Glenn Storhaug, John Craig, John Randle and David Esslemont. Copy No. XXXIV. Front board of the separate portfolio has some orange offsetting from contact with the the main volume, otherwise Fine in Fine slipcase.

Von Händler/Antiquariat, Wykeham Books [162256], LONDON, United Kingdom.
Special limited edition, 1 of 85 copies, from a total edition of 800 copies. Quarter-bound in Oasis leather and marbled paper, and with a facsimile of the 1920 Klingspor calendar, 4to, 203 pp, mounted specimen leaves, inserts, plates, illustrations, many colour, some folding. The Winter 2003 issue of this highly literate and gloriously produced chronicle of fine printing, private press work and the book arts. Each issue of Matrix is not only a thoroughly enjoyable read but also a visual and tactile delight with numerous tipped-in specimen papers, pieces of fine printing, etc - it really cannot be too highly recommended. Contents - The Fine Press and the Bookbinder, by Anthony Dowd; Three Books of Fell, by Martyn Ould; The French Letter, by John Grice; Vive La Verve, by John Smith; The Forgotten Pleasures of Hand-setting, by Miriam Macgregor; Cobden-Sanderson, Jacobi and the Disposal of the Doves Press Plant, by Marianne Tidcombe; A Nursery of Inventions, by Rory Young; Working with Olive Cook, by Lucy Archer; An Album of Charles T. Jacobi, by William S. Peterson; David Wishart, 1928-2003, by John Randle; Jean-Gabriel Daragnès: an Artist-Craftsman Fallen into Oblivion, by Peter Frank; My Concaténation of Types, by Michael Caine; Latterday Letterpress Printer, by Dennis Gould; The Origins of Shanty Bay Press, by Walter Bachinski; Eric Gill, Jacques Raverat and an abortive Four Gospels, by Roderick Cave; Aspects of Golden Cockerel, by Simon Lawrence; Sanspareil Matrices, by James Mosley; Eric Milner-White: Cleric & Collector, by Richard Russell; John Dreyfus, by David McKitterick; Casting Five-Line Pica from Sanspareil Matrices, by Stan Nelson, Jim Walczak and Ellen McKee; Casting Chinese Type, by Dan Carr; Klingspor Calendars, by Jerry Kelly; Encouraging the Trombones: the Uses of Display and Titling Faces, by Crispin Elsted; The Book Design Collection at Manchester Metropolitan University, by Gaye Smith; Private Press Books 2002: a Review, by David Chambers; Book Reviews, by Alan Powers, Ruari Mclean, Simon Lawrence, Bernard Roberts, David McKitterick, Simon Brett, Adela Spinder Roatcap, John Randle. Copy No. XLI. Fine in Fine slipcase.

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