Trisha Brown: Dance and in Dialogue, 1961-2001 - 8 Angebote vergleichen
| Preise | 2016 | 2017 | 2021 |
|---|---|---|---|
| Schnitt | € 86,03 | € 212,63 | € 23,08 |
| Nachfrage |
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Symbolbild
Trisha Brown: Dance and in Dialogue, 1961-2001 (2001)
~ENISBN: 9780262201391 bzw. 0262201399, vermutlich in Englisch, MIT Press, Vereinigte Staaten von Amerika.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Read and Dream LLC.
UsedGood. The book may have some cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, sunburn, stains, minor water damage, bent, slightly torn, damaged binding) - The dust jacket, if present, may be marked, and have considerable heavy wear, or might be missing. - The book might be ex-library copy, and may have the markings and stickers associated from the library - The book may have some highlights/notes/underlined pages - Safe and Secure Mailer - No Hassle Return - Used books may not include supplementary material.
Von Händler/Antiquariat, Read and Dream LLC.
UsedGood. The book may have some cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, sunburn, stains, minor water damage, bent, slightly torn, damaged binding) - The dust jacket, if present, may be marked, and have considerable heavy wear, or might be missing. - The book might be ex-library copy, and may have the markings and stickers associated from the library - The book may have some highlights/notes/underlined pages - Safe and Secure Mailer - No Hassle Return - Used books may not include supplementary material.
2
![9780262201391 - Maurice Berger, Guillaume Bernardi, Trisha Brown, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, and Hendel Teicher: Dance Art in Dialogue, 1961-2001 [SIGNED]](/c-9780262201391-6.jpg "9780262201391 - Maurice Berger, Guillaume Bernardi, Trisha Brown, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, and Hendel Teicher: Dance Art in Dialogue, 1961-2001 [SIGNED]")
Maurice Berger, Guillaume Bernardi, Trisha Brown, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, and Hendel Teicher
Dance Art in Dialogue, 1961-2001 [SIGNED] (2002)
~EN PB US SIISBN: 9780262201391 bzw. 0262201399, vermutlich in Englisch, MIT Press, Cambridge MA, Taschenbuch, gebraucht, signiert, mit Einband.
Von Händler/Antiquariat, Exquisite Corpse Booksellers [50990576], Houston, TX, U.S.A.
339 pages illustrations throughout. [SIGNED] Signed by the artist, Trisha Brown on the half-title page, center. Edited by Hendel Teicher. Published on the occasion of the exhibition from the Addison Gallery of American Art, Phillips Academy, Andover MA September 27-December 31, 2002, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs NY April 5-June 22, 2003, Contemporary Arts Museum, Houston TX July 12-September 14, 2003, the New Museum of Contemporary Art, New York NY October 10, 2003-February 10, 2004 and the Henry Art Gallery, University of Washington, Seattle WA March 25-July 18, 2004. Selected Bibliography. Books.
339 pages illustrations throughout. [SIGNED] Signed by the artist, Trisha Brown on the half-title page, center. Edited by Hendel Teicher. Published on the occasion of the exhibition from the Addison Gallery of American Art, Phillips Academy, Andover MA September 27-December 31, 2002, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs NY April 5-June 22, 2003, Contemporary Arts Museum, Houston TX July 12-September 14, 2003, the New Museum of Contemporary Art, New York NY October 10, 2003-February 10, 2004 and the Henry Art Gallery, University of Washington, Seattle WA March 25-July 18, 2004. Selected Bibliography. Books.
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Trisha Brown: Dance and Art in Dialogue, 1961-2001 (2002)
EN PB USISBN: 9780262201391 bzw. 0262201399, in Englisch, The MIT Press, Cambridge, MA USA, Taschenbuch, gebraucht.
Von Händler/Antiquariat, RPL Library Store [215083], Rochester, NY, U.S.A.
0262201399 8 3/4 x 10 3/4" Art Dance 20th Century. EX LIB VERY GOOD CONDITION/NO DUST JACKET. Ex library book. 339pp. Text clean and unmarked except for usual library treatments. Soft cover in very good condition. Edges very slightly soiled. Binding strong and firm.
0262201399 8 3/4 x 10 3/4" Art Dance 20th Century. EX LIB VERY GOOD CONDITION/NO DUST JACKET. Ex library book. 339pp. Text clean and unmarked except for usual library treatments. Soft cover in very good condition. Edges very slightly soiled. Binding strong and firm.
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Trisha Brown: Dance and Art in Dialogue, 1961-2001 (2002)
EN PB USISBN: 9780262201391 bzw. 0262201399, in Englisch, 288 Seiten, The MIT Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Kansas City Book Company.
In 1962, at the age of twenty-six, Trisha Brown became one of the original members of the experimental Judson Church Dance Theater in New York, and in 1970 she cofounded The Grand Union. The dancers of these radical groups, such as Yvonne Rainer and Steve Paxton, embraced improvisation and the use of everyday movements not usually associated with legitimate choreography. To bring her dance into the real world of objects and unpredictable events, Brown performed much of her early work outdoors. The book recalls the richness of those times, when poets, musicians, painters, and sculptors joined with dancers and choreographers in questioning the hierarchies and boundaries of their disciplines. By the late 1970s, Brown was looking for ways to expand and open up her dances. The desire to create large-scale, complex productions led her to incorporate stage design and music as simultaneous, independent elements in her work. Collaborating with such visual artists and musicians as Laurie Anderson, Robert Ashley, John Cage, Alvin Curran, Nancy Graves, Donald Judd, Fujiko Nakaya, Robert Rauschenberg, and, most recently, Terry Winters, she created visual and musical spectacles, or "movement-images." In this book, which accompanies a nationally touring exhibition co-organized by the Addison Gallery of American Art and the Frances Young Tang Teaching Museum at Skidmore College, historians, critics, choreographers, dancers, and visual artists explore the dialogue between dance and the visual arts in Brown?s work. The contributors include Guillaume Bernardi, Trisha Brown, Simone Forti, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, Charles Stainback, Hendel Teicher, and Adam D. Weinberg. Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2002-11-15, Studio: The MIT Press, Verkaufsrang: 2437888.
Von Händler/Antiquariat, Kansas City Book Company.
In 1962, at the age of twenty-six, Trisha Brown became one of the original members of the experimental Judson Church Dance Theater in New York, and in 1970 she cofounded The Grand Union. The dancers of these radical groups, such as Yvonne Rainer and Steve Paxton, embraced improvisation and the use of everyday movements not usually associated with legitimate choreography. To bring her dance into the real world of objects and unpredictable events, Brown performed much of her early work outdoors. The book recalls the richness of those times, when poets, musicians, painters, and sculptors joined with dancers and choreographers in questioning the hierarchies and boundaries of their disciplines. By the late 1970s, Brown was looking for ways to expand and open up her dances. The desire to create large-scale, complex productions led her to incorporate stage design and music as simultaneous, independent elements in her work. Collaborating with such visual artists and musicians as Laurie Anderson, Robert Ashley, John Cage, Alvin Curran, Nancy Graves, Donald Judd, Fujiko Nakaya, Robert Rauschenberg, and, most recently, Terry Winters, she created visual and musical spectacles, or "movement-images." In this book, which accompanies a nationally touring exhibition co-organized by the Addison Gallery of American Art and the Frances Young Tang Teaching Museum at Skidmore College, historians, critics, choreographers, dancers, and visual artists explore the dialogue between dance and the visual arts in Brown?s work. The contributors include Guillaume Bernardi, Trisha Brown, Simone Forti, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, Charles Stainback, Hendel Teicher, and Adam D. Weinberg. Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2002-11-15, Studio: The MIT Press, Verkaufsrang: 2437888.
5
Trisha Brown: Dance and in Dialogue, 1961-2001 (2002)
~EN PB USISBN: 9780262201391 bzw. 0262201399, vermutlich in Englisch, Mit Pr, Taschenbuch, gebraucht, akzeptabler Zustand.
Von Händler/Antiquariat, Book Deals [85272957], Tucson, AZ, U.S.A.
Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. Books.
Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. Books.
6
Symbolbild
Trisha Brown: Dance and Art in Dialogue, 1961-2001
EN PB NWISBN: 9780262201391 bzw. 0262201399, in Englisch, The MIT Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, BookResQ.
The MIT Press. PAPERBACK. 0262201399 New! May take up to 14 days to arrive. Sorry we don't offer expedited shipping on this item. -01x- . New.
Von Händler/Antiquariat, BookResQ.
The MIT Press. PAPERBACK. 0262201399 New! May take up to 14 days to arrive. Sorry we don't offer expedited shipping on this item. -01x- . New.
7
Symbolbild
Aeschlimann, Roland; Nancy Graves; Donald Judd; Fujiko Nakaya; Robert Rauschenberg; Terry Winters; Hendel Teicher [editor]
Trisha Brown: Dance and Art in Dialogue, 1961-2001 (2002)
~EN PB USISBN: 9780262201391 bzw. 0262201399, vermutlich in Englisch, Addison Gallery of American Art, MIT Press, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Midway Used and Rare Books.
Andover and Cambridge Massachusetts: Addison Gallery of American Art, MIT Press, 2002. Paperback. Very Good. 28 x 22.5 cm. Quarto. 340pp. Paperback cover with plastic dust jacket. Exhibition catalogue. Light wear to the plastic jacket. Some fading and creasing to the spine.
Von Händler/Antiquariat, Midway Used and Rare Books.
Andover and Cambridge Massachusetts: Addison Gallery of American Art, MIT Press, 2002. Paperback. Very Good. 28 x 22.5 cm. Quarto. 340pp. Paperback cover with plastic dust jacket. Exhibition catalogue. Light wear to the plastic jacket. Some fading and creasing to the spine.
8
Trisha Brown : Dance and Art in Dialogue, 1961-2001 (2001)
~EN USISBN: 9780262201391 bzw. 0262201399, vermutlich in Englisch, MIT Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
In 1962, at the age of twenty-six, Trisha Brown became one of the original members of the experimental Judson Church Dance Theater in New York, and in 1970 she cofounded The Grand Union. The dancers of these radical groups, such as Yvonne Rainer and Steve Paxton, embraced improvisation and the use of everyday movements not usually associated with legitimate choreography. To bring her dance into the real world of objects and unpredictable events, Brown performed much of her early work outdoors. The book recalls the richness of those times, when poets, musicians, painters, and sculptors joined with dancers and choreographers in questioning the hierarchies and boundaries of their disciplines. By the late 1970s, Brown was looking for ways to expand and open up her dances. The desire to create large-scale, complex productions led her to incorporate stage design and music as simultaneous, independent elements in her work. Collaborating with such visual artists and musicians as Laurie Anderson, Robert Ashley, John Cage, Alvin Curran, Nancy Graves, Donald Judd, Fujiko Nakaya, Robert Rauschenberg, and, most recently, Terry Winters, she created visual and musical spectacles, or "movement-images." In this book, which accompanies a nationally touring exhibition co-organized by the Addison Gallery of American Art and the Frances Young Tang Teaching Museum at Skidmore College, historians, critics, choreographers, dancers, and visual artists explore the dialogue between dance and the visual arts in Brown's work. The contributors include Guillaume Bernardi, Trisha Brown, Simone Forti, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, Charles Stainback, Hendel Teicher, and Adam D. Weinberg.
In 1962, at the age of twenty-six, Trisha Brown became one of the original members of the experimental Judson Church Dance Theater in New York, and in 1970 she cofounded The Grand Union. The dancers of these radical groups, such as Yvonne Rainer and Steve Paxton, embraced improvisation and the use of everyday movements not usually associated with legitimate choreography. To bring her dance into the real world of objects and unpredictable events, Brown performed much of her early work outdoors. The book recalls the richness of those times, when poets, musicians, painters, and sculptors joined with dancers and choreographers in questioning the hierarchies and boundaries of their disciplines. By the late 1970s, Brown was looking for ways to expand and open up her dances. The desire to create large-scale, complex productions led her to incorporate stage design and music as simultaneous, independent elements in her work. Collaborating with such visual artists and musicians as Laurie Anderson, Robert Ashley, John Cage, Alvin Curran, Nancy Graves, Donald Judd, Fujiko Nakaya, Robert Rauschenberg, and, most recently, Terry Winters, she created visual and musical spectacles, or "movement-images." In this book, which accompanies a nationally touring exhibition co-organized by the Addison Gallery of American Art and the Frances Young Tang Teaching Museum at Skidmore College, historians, critics, choreographers, dancers, and visual artists explore the dialogue between dance and the visual arts in Brown's work. The contributors include Guillaume Bernardi, Trisha Brown, Simone Forti, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer, Charles Stainback, Hendel Teicher, and Adam D. Weinberg.
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