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100%: Turk, Edward Baron, Professor: Child of Paradise - Marcel Carne & the Goldenage of French Cinema (Paper), Marcel Carne and the Golden Age of French Cinema (ISBN: 9780674114616) Harvard University Press, Vereinigte Staaten von Amerika, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
53%: Edward Turk: Child of Paradise: Marcel Carna(c) and the Golden Age of French Cinema (ISBN: 9780674114609) 1945, Harvard University Press, Vereinigte Staaten von Amerika, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Child of Paradise - Marcel Carne & the Goldenage of French Cinema (Paper), Marcel Carne and the Golden Age of French Cinema
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Child of Paradise: Marcel Carné and the Golden Age of French Cinema
EN PB USISBN: 9780674114616 bzw. 0674114612, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, JEANCOBOOKS [52271480], Levittown, NY, U.S.A.
0674114612 There is some highlighting and underlining throughout the book.There are a few pages with a crease at the top corner. Good reading copy.
0674114612 There is some highlighting and underlining throughout the book.There are a few pages with a crease at the top corner. Good reading copy.
2
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Child of Paradise: Marcel Carné and the Golden Age of French Cinema
EN PB USISBN: 9780674114616 bzw. 0674114612, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, jeancobooks.
Harvard University Press. PAPERBACK. 0674114612 There is some highlighting and underlining throughout the book. There are a few pages with a crease at the top corner. Good reading copy. . Fair.
Von Händler/Antiquariat, jeancobooks.
Harvard University Press. PAPERBACK. 0674114612 There is some highlighting and underlining throughout the book. There are a few pages with a crease at the top corner. Good reading copy. . Fair.
3
Child of Paradise: Marcel Carné and the Golden Age of French Cinema (1992)
EN PB NWISBN: 9780674114616 bzw. 0674114612, in Englisch, 495 Seiten, Harvard University Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Jerry's books.
Marcel Carné symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carné’s meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carné directed a number of works that are now part of France’s cultural patrimony, most notably Le Quai des Brumes (1938), LeJour se lève (1939), Les Visiteurs du soir (1942), and the best known, Les Enfants du paradis (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carné and his films is to know how cinematic art responded to social and political events — to the period of French history that witnessed the Popular Front, the Front’s demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director’s aesthetic of poetic realism and his professed leftist sympathies; he situates Carné’s questionable stance and activities during the Occupation within the broader context of an artist’s ethical responsibilities in times of war; and he examines the ramifications of Carné’s censure during the postwar purges for the director’s subsequent fortunes. Turk’s use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carné thought and worked. Turk also addresses the representations and maskings of homosexuality in Carné’s films and the extent to which they have colored film history’s often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, Les Enfants du paradis, scripted by the poet-screenwriter Jacques Prévert. The book draws on unpublished correspondence from, among others, Jean Cocteau, François Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prévert, Pierre Prévert, Claude Renoir, Alexander Trauner, Truffaut, and Carné himself. This portrait of Carné thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France. , Paperback, Ausgabe: First Paperback Edition, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1992-06-01, Studio: Harvard University Press, Verkaufsrang: 3897597.
Von Händler/Antiquariat, Jerry's books.
Marcel Carné symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carné’s meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carné directed a number of works that are now part of France’s cultural patrimony, most notably Le Quai des Brumes (1938), LeJour se lève (1939), Les Visiteurs du soir (1942), and the best known, Les Enfants du paradis (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carné and his films is to know how cinematic art responded to social and political events — to the period of French history that witnessed the Popular Front, the Front’s demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director’s aesthetic of poetic realism and his professed leftist sympathies; he situates Carné’s questionable stance and activities during the Occupation within the broader context of an artist’s ethical responsibilities in times of war; and he examines the ramifications of Carné’s censure during the postwar purges for the director’s subsequent fortunes. Turk’s use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carné thought and worked. Turk also addresses the representations and maskings of homosexuality in Carné’s films and the extent to which they have colored film history’s often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, Les Enfants du paradis, scripted by the poet-screenwriter Jacques Prévert. The book draws on unpublished correspondence from, among others, Jean Cocteau, François Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prévert, Pierre Prévert, Claude Renoir, Alexander Trauner, Truffaut, and Carné himself. This portrait of Carné thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France. , Paperback, Ausgabe: First Paperback Edition, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1992-06-01, Studio: Harvard University Press, Verkaufsrang: 3897597.
4
Child of Paradise : Marcel Carne and the Golden Age of French Cinema by (1945)
~EN USISBN: 9780674114609 bzw. 0674114604, vermutlich in Englisch, Harvard University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
5
Child of Paradise : Marcel Carne and the Golden Age of French Cinema by (1945)
~EN USISBN: 9780674114609 bzw. 0674114604, vermutlich in Englisch, Harvard University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
6
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Child of Paradise - Marcel Carne & the Goldenage of French Cinema (Paper), Marcel Carne and the Golden Age of French Cinema (1992)
EN PB USISBN: 9780674114616 bzw. 0674114612, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Niederlande, 1 - 8 dagen.
Boeken kampioen.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. This biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war.;The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut and Carne himself.Taal: Engels;Verschijningsdatum: oktober 1992;ISBN10: 0674114612;ISBN13: 9780674114616; Engelstalig | Paperback | 1992.
Boeken kampioen.
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. This biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war.;The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut and Carne himself.Taal: Engels;Verschijningsdatum: oktober 1992;ISBN10: 0674114612;ISBN13: 9780674114616; Engelstalig | Paperback | 1992.
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Child of Paradise: Marcel Carna(c) and the Golden Age of French Cinema
EN USISBN: 0674114604 bzw. 9780674114609, in Englisch, Harvard University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
arts and literature,arts music and photography,biographies,direction and production,entertainers,film and television,humanities,humor and entertainment,movie directors,movies, Child of Paradise: Marcel Carn� and the Golden Age of French Cinema (Harvard Film Studies), Marcel Carn� symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carn�'s meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carn� directed a number of works that are now part of France's cultural patrimony, most notably Le Quai des Brumes (1938), LeJour se l�ve (1939), Les Visiteurs du soir (1942), and the best known, Les Enfants du paradis (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carn� and his films is to know how cinematic art responded to social and political events - to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carn�'s questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carn�'s censure during the postwar purges for the director's subsequent fortunes. T.
arts and literature,arts music and photography,biographies,direction and production,entertainers,film and television,humanities,humor and entertainment,movie directors,movies, Child of Paradise: Marcel Carn� and the Golden Age of French Cinema (Harvard Film Studies), Marcel Carn� symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carn�'s meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carn� directed a number of works that are now part of France's cultural patrimony, most notably Le Quai des Brumes (1938), LeJour se l�ve (1939), Les Visiteurs du soir (1942), and the best known, Les Enfants du paradis (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carn� and his films is to know how cinematic art responded to social and political events - to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carn�'s questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carn�'s censure during the postwar purges for the director's subsequent fortunes. T.
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Child of Paradise; Marcel Carne and the Golden Age of French Cinema
EN HC NWISBN: 9780674114609 bzw. 0674114604, in Englisch, Harvard University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Child-of-Paradise-Marcel-Carne-and-the-Golden-Age-of-French-Cinema~~Edward-Turk, Child of Paradise; Marcel Carne and the Golden Age of French Cinema, Hardcover.
Child-of-Paradise-Marcel-Carne-and-the-Golden-Age-of-French-Cinema~~Edward-Turk, Child of Paradise; Marcel Carne and the Golden Age of French Cinema, Hardcover.
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Child of Paradise : Marcel Carne and the Golden Age of French Cinema by (1945)
~EN USISBN: 9780674114616 bzw. 0674114612, vermutlich in Englisch, Harvard University Press, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Child of Paradise: Marcel Carné and the Golden Age of French Cinema (1992)
EN PB USISBN: 9780674114616 bzw. 0674114612, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
Paperback, Revised ed.
Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
Paperback, Revised ed.
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