I-VI: The Charles Eliot Norton Lectures Author - 15 Angebote vergleichen

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Top Zustand! Schnelle & kostenlose Lieferung in 2-14 Tagen, Free Shipping On All Domestic Orders Home About View All Products Contact I-VI (THE CHARLES ELIOT NORTON LECTURES, 1988-89) By John Cage - Hardcover *VG+* I-VI (THE CHARLES ELIOT NORTON LECTURES, 1988-89) By John Cage - Hardcover *Excellent Condition* Item specifics ISBN-10: 0674440072 Author: Cage, John Publisher: Harvard University Press Release Year: 1990 Publication Year: 1990 Number Of Pages: 460 Binding: Hardcover Item Dimensions: 8.5x1.5x11.5 Inches Package Dimensions: 11.32x8.26x2.06 Inches Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will include dust jacket if it originally came with one. Satisfaction is guaranteed with every order. General Shipping Terms Returns About Us FREE SHIPPING PLUS FREE RETURNS* Ships in 1-2 Business Days We care as much about your item as you do which is why each item is carefully packaged to ensure a safe delivery. 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Zuber is not responsible for items returned without our prior consent & a proper RMA # assigned. *Free Shipping and Free Returns is available within the United States only. Certain conditions for free returns do apply. Please see information above on this Returns tab for more details. ~ YOUR ONE STOP SHOP FOR ALL KINDS OF SPECIAL FINDS ~ Welcome to Zuber! We offer a very large selection of competitively priced New & Used items. We guarantee QUALITY products, FAST shipping, and FRIENDLY customer service. We look forward to serving you! Store View All Items Contact Copyrights © All right reserved. , Sehr gut, Festpreisangebot, ISBN-10: 0674440072, Book Title: I-VI (The Charles Eliot Norton Lectures, 1988-89), EAN: 9780674440074, Publication Name: I-VI, Item Length: 11.2in. Publication Year: 1990, Series: The Charles Eliot Norton Lectures, Type: Textbook, Format: Hardcover, Language: English, Item Height: 1.7in. Item Width: 8.1in. Item Weight: 58.3 Oz, Number of Pages: 464 Pages.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Brian Cassidy, Bookseller.
Cambridge, MA: Harvard University Press, 1990. First Edition. Hardcover. Fine/fine. 4to. Grey cloth. Silver gilt to front, spine. In original illus- trated dust jacket. Unclipped. Deluxe, limited edition, SIGNED by Cage to half-title. Housed in a matching cloth, two-piece box which addition- ally holds two 60-minute audio cassettes. Mild shelf rubbing to lower end of box. Otherwise contents clean, about fine throughout. Near fine or bet- ter overall. Deluxe edition of Cage's Charles Eliot Northern Lectures, delivered at Harvard between 1988-1989. Includes two 60-minute audio cassettes of Cage reading and of a lively question-and-answer section from one of the lectures. Uncommon, especially in this condition.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde. There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that "all answers answer all questions." Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage's "Sixteen Dances" (1951). "I-VI" is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Common Crow Books.
Cambridge, MA: Harvard University Press, 1990. First printing. Hardcover. Near Fine/very good +. First Edition, First Printing. c.1990. Hardcover. Cloth. 4to. 452pp. Near Fine in Very Good+ dustjacket. Light general shelfwear, small price sticker inside cover. Light wear to dustjacket, very short closed tear along top rear edge, mild edgewear.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of nonintention and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde.There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them mesostics, a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that all answers answer all questions.Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage's Sixteen Dances (1951).I-VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.

Lieferung aus: Kanada, In magazzino, più spese di spedizione.
Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde.There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that "all answers answer all questions."Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage''s Sixteen Dances (1951).I-VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.

Von Händler/Antiquariat, born again books [5018444], henderson, NV, U.S.A.
Very good hardcover in very good unclipped dustjacket,1st.edition,1st.printing of this classic book,it is missing the cassette tapes however,thus the cheap price,terrific photo of Mr. Cage on rear of dustjacket,we have been selling hard to find and collectable books for over 22 years,pleasew check our inventory,100% refund,#E148.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, amitcj.
Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde. There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that "all answers answer all questions." Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage's Sixteen Dances (1951). I-VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds. , Hardcover, Edition: Har/Cas, Label: Harvard University Press, Harvard University Press, Product group: Book, Published: 1990-02-01, Studio: Harvard University Press, Sales rank: 4659192.

Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde.... Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde.There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that "all answers answer all questions."Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage's Sixteen Dances (1951).I-VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.Taal: Engels;Afmetingen: 61x299x224 mm;Gewicht: 1,95 kg;Verschijningsdatum: juli 1990;ISBN10: 0674440080;ISBN13: 9780674440081; Engelstalig | Other binding | 1990.

Lieferung aus: Vereinigte Staaten von Amerika, free shipping to: USA.
Von Händler/Antiquariat, Better World Books.
Harvard University Press. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!