Von dem Buch Music and Imagination (Charles Eliot Norton Lectures) haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Copland, Aaron: Music and Imagination (Charles Eliot Norton Lectures) (ISBN: 9780674589155) Harvard University Press, Cambridge, 1980, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Aaron Copland: Music and Imagination (The Charles Eliot Norton Lectures) (ISBN: 9780674589001) Harvard University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
Music and Imagination (Charles Eliot Norton Lectures)
7 Angebote vergleichen
| Preise | 2013 | 2014 | 2015 |
|---|---|---|---|
| Schnitt | € 27,11 | € 10,33 | € 13,76 |
| Nachfrage |
1
Music and Imagination (Charles Eliot Norton Lectures) (1980)
EN PB USISBN: 9780674589155 bzw. 0674589157, in Englisch, 128 Seiten, Harvard University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Full Paper Jacket.
One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book. Paperback, Ausgabe: New edition, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1980-08-05, Studio: Harvard University Press, Verkaufsrang: 1182522.
Von Händler/Antiquariat, Full Paper Jacket.
One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book. Paperback, Ausgabe: New edition, Label: Harvard University Press, Harvard University Press, Produktgruppe: Book, Publiziert: 1980-08-05, Studio: Harvard University Press, Verkaufsrang: 1182522.
2
Symbolbild
Music and Imagination (Charles Eliot Norton Lectures) (1980)
EN PB USISBN: 9780674589155 bzw. 0674589157, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Dream Books Company, LLC [54248992], Englewood, CO, U.S.A.
Used book with normal wear and tear and may contain writing. Stock photo may be different from actual book cover. International Customers: Items over 4 lbs may incur additional shipping charges.
Used book with normal wear and tear and may contain writing. Stock photo may be different from actual book cover. International Customers: Items over 4 lbs may incur additional shipping charges.
3
Symbolbild
Music and Imagination. (1979)
EN PB USISBN: 9780674589155 bzw. 0674589157, in Englisch, Harvard University Press, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Lincbook [2660], Foster, RI, U.S.A.
Harvard University Press, 1979. Very good. , Paperback, Text clean. Light wear. 1979 paperback printing. Out-of-print and antiquarian booksellers since 1933. We pack and ship with care.
Harvard University Press, 1979. Very good. , Paperback, Text clean. Light wear. 1979 paperback printing. Out-of-print and antiquarian booksellers since 1933. We pack and ship with care.
4
Music and Imagination (The Charles Eliot Norton Lectures)
EN USISBN: 0674589009 bzw. 9780674589001, in Englisch, Harvard University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
appreciation,arts music and photography,classical,education and reference,home and garden,history and criticism,humanities,music,musical genres,performing arts, One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book.
appreciation,arts music and photography,classical,education and reference,home and garden,history and criticism,humanities,music,musical genres,performing arts, One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book.
5
Symbolbild
Music and Imagination (Charles Eliot Norton Lectures) (1980)
EN PBISBN: 9780674589155 bzw. 0674589157, in Englisch, Harvard University Press, Taschenbuch.
Von Händler/Antiquariat, Lumahai_books [7135350], Makawao, Maui, HI, U.S.A.
1980. Harvard University Press. Paperback. Edge wear to cover, spotting to page edges, notes and markings in text.
1980. Harvard University Press. Paperback. Edge wear to cover, spotting to page edges, notes and markings in text.
6
Symbolbild
Music and Imagination - (1980)
EN USISBN: 0674589157 bzw. 9780674589155, in Englisch, Harvard University Press, Cambridge, 1980, gebraucht.
Lieferung aus: Deutschland, Versandart: STD, Versand nach: DE.
Von Händler/Antiquariat, Bartels Noten, [12144452].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Bartels Noten, [12144452].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…