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100%: Joan Retallack/ John Cage: MUSICAGE: MUSES on Words * Art * Music (ISBN: 9780819571861) 2011, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: John Cage/ Joan Retallack: Musicage: Cage Muses on Words * Art * Music (ISBN: 9780819563118) in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Retallack, Joan; Cage, John: Musicage: Muses on Words * Art * Music (ISBN: 9780819552853) Wesleyan University Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
MUSICAGE: MUSES on Words * Art * Music - 13 Angebote vergleichen
| Preise | 2017 | 2020 | 2023 |
|---|---|---|---|
| Schnitt | € 8,00 | € 20,29 | € 17,99 |
| Nachfrage |
1
MUSICAGE
~EN NW EB DLISBN: 9780819571861 bzw. 0819571865, vermutlich in Englisch, Ingram, neu, E-Book, elektronischer Download.
Lieferung aus: Russische Föderation, zzgl. Versandkosten.
"I was obliged to find a radical way to work – to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art – with its concomitant emphasis on innovation and invention—earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world – with its brimming silences and anarchic harmonies – was a source of music, Cage once claimed, «There is no noise, only sounds.» As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was «dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.» Consummate performer to the end, Cage delivers here just such a conjunction – a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century. Зарубежная литература/Зарубежная прикладная и научно-популярная литература, book, FB2.ZIP,FB3,EPUB,IOS.EPUB,TXT.ZIP,RTF.ZIP,A4.PDF,A6.PDF,MOBI.PRC,TXT.
"I was obliged to find a radical way to work – to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art – with its concomitant emphasis on innovation and invention—earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world – with its brimming silences and anarchic harmonies – was a source of music, Cage once claimed, «There is no noise, only sounds.» As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was «dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.» Consummate performer to the end, Cage delivers here just such a conjunction – a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century. Зарубежная литература/Зарубежная прикладная и научно-популярная литература, book, FB2.ZIP,FB3,EPUB,IOS.EPUB,TXT.ZIP,RTF.ZIP,A4.PDF,A6.PDF,MOBI.PRC,TXT.
2
Musicage
EN NWISBN: 9780819563118 bzw. 0819563110, in Englisch, University Press of New England, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
I was obliged to find a radical way to work - to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art - with its concomitant emphasis on innovation and invention-earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century. CONTRIBUTORS: Joan Retallack.
I was obliged to find a radical way to work - to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art - with its concomitant emphasis on innovation and invention-earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century. CONTRIBUTORS: Joan Retallack.
3
Musicage: Cage Muses on Words * Art * Music John Cage Author
~EN PB NWISBN: 9780819563118 bzw. 0819563110, vermutlich in Englisch, Wesleyan University Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
I was obliged to find a radical way to work — to get at the real, at the root of the matter, John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art — with its concomitant emphasis on innovation and invention—earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world — with its brimming silences and anarchic harmonies — was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction — a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.
I was obliged to find a radical way to work — to get at the real, at the root of the matter, John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art — with its concomitant emphasis on innovation and invention—earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world — with its brimming silences and anarchic harmonies — was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction — a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.
4
MUSICAGE: MUSES on Words * Art * Music
EN NWISBN: 9780819563118 bzw. 0819563110, in Englisch, Wesleyan University Press, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
John Cage, Joan Retallack, Books, Entertainment, MUSICAGE: CAGE MUSES on Words * Art * Music, I was obliged to find a radical way to work -- to get at the real, at the root of the matter, John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.
John Cage, Joan Retallack, Books, Entertainment, MUSICAGE: CAGE MUSES on Words * Art * Music, I was obliged to find a radical way to work -- to get at the real, at the root of the matter, John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.
5
Musicage: Muses on Words, Art, Music
EN NWISBN: 9780819563118 bzw. 0819563110, in Englisch, Wesleyan U.P.,U.S. neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multi-media works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multi-media works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
6
Musicage: Muses on Words, Art, Music
EN NWISBN: 9780819563118 bzw. 0819563110, in Englisch, Wesleyan U.P.,U.S. neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multi-media works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multi-media works. A composer for whom the whole world - with its brimming silences and anarchic harmonies - was a source of music, Cage once claimed, There is no noise, only sounds. As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes. Consummate performer to the end, Cage delivers here just such a conjunction - a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
7
Musicage: Muses on Words * Art * Music
EN USISBN: 0819563110 bzw. 9780819563118, in Englisch, Wesleyan, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts and literature,arts music and photography,biographies,composers and musicians,home and garden,history and criticism,individual artists,music, MUSICAGE: CAGE MUSES on Words * Art * Music, I was obliged to find a radical way to work -- to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of.
arts and literature,arts music and photography,biographies,composers and musicians,home and garden,history and criticism,individual artists,music, MUSICAGE: CAGE MUSES on Words * Art * Music, I was obliged to find a radical way to work -- to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of.
8
MUSICAGE: MUSES on Words * Art * Music (2011)
EN NW EB DLISBN: 9780819571861 bzw. 0819571865, in Englisch, 401 Seiten, Wesleyan, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, ebook for download, Free shipping.
The entire range of John Cage's work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art. Kindle Edition, Format: Kindle eBook, Label: Wesleyan, Wesleyan, Product group: eBooks, Published: 2011-03-01, Release date: 2011-02-15, Studio: Wesleyan, Sales rank: 1673024.
The entire range of John Cage's work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art. Kindle Edition, Format: Kindle eBook, Label: Wesleyan, Wesleyan, Product group: eBooks, Published: 2011-03-01, Release date: 2011-02-15, Studio: Wesleyan, Sales rank: 1673024.
9
Musicage
EN PB USISBN: 9780819563118 bzw. 0819563110, in Englisch, University Press of New England, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
9780819563118,0819563110,musicage,john,cage, Excellent Marketplace listings for "Musicage" by John Cage starting as low as $22.53! Paperback, Shipping to USA only!
9780819563118,0819563110,musicage,john,cage, Excellent Marketplace listings for "Musicage" by John Cage starting as low as $22.53! Paperback, Shipping to USA only!
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