Thomas Struth - 8 Angebote vergleichen

Von Händler/Antiquariat, Southampton Books [54072508], Southampton, NY, U.S.A.
First Edition, First Printing. Published by Mack Books, 2014. Folio. Pictorial boards with purple endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Boards have very light shelf wear. No dust jacket as issued. Text is in German. ISBN: 9781910164129. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell! Books.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Modern Rare.
London, England: MACK Publishers, 2014. First Edition. First Printing.. Hardcover. As New/No Dust Jacket, As Issued.. London, England: MACK Publishers, 2014. Hardcover. As New/None, As Issued. First Edition/First Printing. 42 pages. Retrospective collection of photographs. One of Thomas Struth's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. An austerely elegant production by MACK: Oversize-volume format. Purple cloth boards with white titles embossed on the cover and spine, as issued. Photographs by Thomas Struth. Essay by Ulrich Loock in the German original and felicitous English translation appended at the end. Printed on pristine-white, thick coated stock paper (for the images) and archival, purple-color stock paper (for the text) in the United Kingdom to the highest standards. The reproduction quality is outstanding in every respect. Without DJ, as issued. Published as part of the travelling exhibition, "This Place", held in 2014, curated by Frederic Brenner and participated in by twelve photographers, in order to document contemporary Israel and the West Bank. Presents "Thomas Struth". An eponymously titled (and indispensable) suite of photographs about a contentious subject, seen through the photographer's relentlessly detached gaze. "Brings together sixteen photographs of Israel and Israeli-occupied West Bank. Continues his practice of creating singular images, each within one of the strictly segregated subject-fields he has developed throughout his career: Street photographs, portraits, landscapes, and high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as 'a particle of the conflict of the region', to photograph the political and social landscape" (Publisher's blurb). "Unified by strata of antitheses which reveal themselves as a matrix running through the work, as Struth attempts to grasp the circumscribed reality of a region where co-existence has failed, a reality that is, however, inaccessible to photography" (Ulrich Loock). It is easy to miss Loock's important point: Given what we have come to expect of the "cool" Struth-ian eye, the self-aware modesty of Struth's project is precisely what makes it unexpectedly moving - and a genuine contribution to Frederic Brenner's ambitious, multi-photographer project. He shows us Israel and the West Bank, but coolly and steadfastly refuses to make an overbearing or didactic comment on this very "hot" subject (as a "concerned" photographer might have done). An absolute "must-have" title for Thomas Struth collectors. This copy is very boldly and beautifully signed in pencil by Thomas Struth. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 16 color plates. "Thomas Struth: Museum Photographs" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER THOMAS STRUTH TITLES IN OUR CATALOG). ISBN 1910164127.

Von Händler/Antiquariat, ModernRare [715187], CHICAGO, IL, U.S.A.
1st Printing. Signed. 42 pages. Published in 2014. Retrospective collection of photographs. One of Thomas Struth's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. An austerely elegant production by MACK: Oversize-volume format. Purple cloth boards with white titles embossed on the cover and spine, as issued. Photographs by Thomas Struth. Essay by Ulrich Loock in the German original and felicitous English translation appended at the end. Printed on pristine-white, thick coated stock paper (for the images) and archival, purple-color stock paper (for the text) in the United Kingdom to the highest standards. The reproduction quality is outstanding in every respect. Without DJ, as issued. Published as part of the travelling exhibition, "This Place", held in 2014, curated by Frederic Brenner and participated in by twelve photographers, in order to document contemporary Israel and the West Bank. Presents "Thomas Struth". An eponymously titled (and indispensable) suite of photographs about a contentious subject, seen through the photographer's relentlessly detached gaze. "Brings together sixteen photographs of Israel and Israeli-occupied West Bank. Continues his practice of creating singular images, each within one of the strictly segregated subject-fields he has developed throughout his career: Street photographs, portraits, landscapes, and high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as 'a particle of the conflict of the region', to photograph the political and social landscape" (Publisher's blurb). "Unified by strata of antitheses which reveal themselves as a matrix running through the work, as Struth attempts to grasp the circumscribed reality of a region where co-existence has failed, a reality that is, however, inaccessible to photography" (Ulrich Loock). It is easy to miss Loock's important point: Given what we have come to expect of the "cool" Struth-ian eye, the self-aware modesty of Struth's project is precisely what makes it unexpectedly moving - and a genuine contribution to Frederic Brenner's ambitious, multi-photographer project. He shows us Israel and the West Bank, but coolly and steadfastly refuses to make an overbearing or didactic comment on this very "hot" subject (as a "concerned" photographer might have done). An absolute "must-have" title for Thomas Struth collectors. This copy is very boldly and beautifully signed in pencil by Thomas Struth. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 16 color plates. "Thomas Struth: Museum Photographs" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER THOMAS STRUTH TITLES IN OUR CATALOG) ISBN 1910164127. Books.

Von Händler/Antiquariat, Kloof Booksellers & Scientia Verlag [18355], Amsterdam, Netherlands.
[London] : MACK, [2014]. Hardcover. 33 unnumbered pages, xxiii pages : color illustrations ; 30 cm. - This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as "a particle of the conflict of the region", to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by "strata of antitheses [which] reveal themselves as a matrix running through the work", as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. Condition : as new copy. ISBN 9781910164129. Keywords : PHOTOGRAPHY, Palestine, Books.

Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English. Brand new Book. This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as "a particle of the conflict of the region", to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by "strata of antitheses [which] reveal themselves as a matrix running through the work", as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography.In some ways, this extraordinary body of work is a departure from Struth's traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition.German photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie Dusseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule fur Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978-2010 (2010), and Thomas Struth: Unconscious Places (2012). Books.

Von Händler/Antiquariat, Urban Field Test [70252857], Austin, TX, U.S.A.
Beautiful copy; unread:in mylar cover This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as "a particle of the conflict of the region", to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by "strata of antitheses [which] reveal themselves as a matrix running through the work", as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. German photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie Düsseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978-2010(2010), and Thomas Struth: Unconscious Places (2012). Books.

Von Händler/Antiquariat, Book Deals [85272957], Tucson, AZ, U.S.A.
Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. Books.

Lieferung aus: Deutschland, Versand in 10-20 Tagen.
Buch, Hardcover, This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as “a particle of the conflict of the region”, to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by “strata of antitheses [which] reveal themselves as a matrix running through the work”, as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. In some ways, this extraordinary body of work is a departure from Struth’s traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition. German photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie Düsseldorf (1973–80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978–2010 (2010), and Thomas Struth: Unconscious Places (2012).