Self-Representation in German Art Author - 7 Angebote vergleichen

Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
Paperback. 180 pages. Dimensions: 8.7in. x 5.9in. x 0.4in.This study investigates the relationship between the history of self-portraiture in German art and the historical question of a collective identity. I propose that the turn to the image of the self demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Drer. It then looks at the Romantic artist Caspar David Friedrich and his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including: Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jrg Immendorff. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.

Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
This study investigates the relationship between the history of self-portraiture in German art and the historical question of a collective identity. I propose that the turn to the image of the self demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedrich and his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including: Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff.2008. 180 S. 220 mmVersandfertig in 3-5 Tagen, Softcover.

Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
This item is printed on demand - Print on Demand Titel. Neuware - This study investigates the relationship between the history of self-portraiture in German art and the historical question of acollective identity. I propose that the turn to the image of theself demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedricha nd his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff. 180 pp. Englisch.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
This study investigates the relationship between the history of self-portraiture in German art and the historical question of a collective identity. I propose that the turn to the image of the self demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity.The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedrich and his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including: Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff.

Lieferung aus: Deutschland, Versandkostenfrei.
Self-Representation in German Art: This study investigates the relationship between the history of self-portraiture in German art and the historical question of acollective identity. I propose that the turn to the image of theself demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedricha nd his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff. Englisch, Taschenbuch.

Lieferung aus: Deutschland, Lieferzeit: 5 Tage.
This study investigates the relationship between the history of self-portraiture in German art and the historical question of acollective identity. I propose that the turn to the image of theself demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects, or figures which mediate a sense of identity. The book begins with the appearance of the autonomous self-portrait with the Renaissance artist Albrecht Dürer. It then looks at the Romantic artist Caspar David Friedricha nd his use of melancholy as both a sense of his own self, and German identity at the moment when a self-consciously collective identity was being posited in terms of a nation state. This problem of integrating a sense of self in German society is then examined in terms of trauma and the past following World War II. Various contemporary artists working with the self-image are presented, including Georg Baselitz, Anselm Kiefer, Katharina Sieverding and Jörg Immendorff.

Von Händler/Antiquariat, Books2Anywhere [190245], Fairford, GLOS, United Kingdom.
New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. This item is printed on demand.