Toward a Semiotics of Chinese Cinema: A Critical Study of Cinematic Signs
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Toward a Semiotics of Chinese Cinema
DE PB NWISBN: 9783639121971 bzw. 363912197X, in Deutsch, VDM Verlag, Taschenbuch, neu.
Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
Paperback. 168 pages. Dimensions: 8.7in. x 5.9in. x 0.4in.This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burkes concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuzes cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
Paperback. 168 pages. Dimensions: 8.7in. x 5.9in. x 0.4in.This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burkes concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuzes cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
2
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Toward a Semiotics of Chinese Cinema (2015)
DE PB NWISBN: 9783639121971 bzw. 363912197X, in Deutsch, BLUES KIDS OF AMER 01/06/2015, Taschenbuch, neu.
Von Händler/Antiquariat, Books2Anywhere [190245], Swindon, United Kingdom.
New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. This item is printed on demand.
New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. This item is printed on demand.
3
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Toward a Semiotics of Chinese Cinema (Paperback) (2009)
DE PB NW RPISBN: 9783639121971 bzw. 363912197X, in Deutsch, VDM Verlag, Germany, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burke s concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuze s cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burke s concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuze s cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema.
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Toward a Semiotics of Chinese Cinema
EN NWISBN: 9783639121971 bzw. 363912197X, in Englisch, VDM Verlag Dr. Müller, Saarbrücken, Deutschland, neu.
Lieferung aus: Deutschland, Versandfertig in 2 - 3 Tagen.
A Critical Study of Cinematic Signs, This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burke s concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuze s cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema.
A Critical Study of Cinematic Signs, This work is to initiate a semiotic re-examination of Chinese cinema. Such re-examination was built upon the concepts of Semiotics as conceived of by Charles Sanders Peirce. In addition, in constructing a semiotic approach to aesthetic issues in general and to cinema in particular, the author incorporated aesthetic theories from American Pragmatism and Kenneth Burke s concepts of poetic process. In forming a semiotic approach specific to cinema, the author relied primarily on Gilles Deleuze s cinematic theories. This book brings a Chinese perspective into dialectic contact with Western thought, hoping at once to enrich the scope of a general Semiotics of Cinema and to initiate a semiotic analysis of Chinese Cinema. This theorizing is to converse with scholars who are interested in Semiotics in general and film Semiotics in particular; furthermore, it should be especially informative and useful to researchers of Chinese Cinema.
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