On the Reception of Aboriginal Art in German Art Space
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On the Reception of Aboriginal Art in German Art Space
DE PB NWISBN: 9783639297591 bzw. 3639297598, in Deutsch, VDM Verlag, Taschenbuch, neu.
Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
Paperback. 368 pages. Dimensions: 8.6in. x 5.9in. x 1.1in.The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and Other. In German culture, institutional representation of art is hierarchical; the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
Paperback. 368 pages. Dimensions: 8.6in. x 5.9in. x 1.1in.The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and Other. In German culture, institutional representation of art is hierarchical; the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
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On the Reception of Aboriginal Art in German Art Space
DE PB NWISBN: 9783639297591 bzw. 3639297598, in Deutsch, Vdm Verlag Dr. Müller, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and 'Other.' In German culture, institutional representation of art is hierarchical the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation.2010. 368 S. 220 mmVersandfertig in 3-5 Tagen, Softcover.
buecher.de GmbH & Co. KG, [1].
The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and 'Other.' In German culture, institutional representation of art is hierarchical the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation.2010. 368 S. 220 mmVersandfertig in 3-5 Tagen, Softcover.
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On the Reception of Aboriginal Art in German Art Space (Paperback) (2011)
DE PB NW RPISBN: 9783639297591 bzw. 3639297598, in Deutsch, VDM Verlag, Germany, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and Other. In German culture, institutional representation of art is hierarchical; the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and Other. In German culture, institutional representation of art is hierarchical; the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference. This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation.
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On the Reception of Aboriginal Art in German Art Space
~EN PB NWISBN: 3639297598 bzw. 9783639297591, vermutlich in Englisch, VDM Verlag Dr. Müller, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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On the Reception of Aboriginal Art in German Art Space
DE NWISBN: 9783639297591 bzw. 3639297598, in Deutsch, VDM Verlag Dr. Müller, Saarbrücken, Deutschland, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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On The Reception Of Aboriginal Art In German Art Space
EN USISBN: 9783639297591 bzw. 3639297598, in Englisch, VDM Verlag, VDM Verlag, VDM Verlag, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
Friederike Krishnabhakdi-Vasilakis, Paperback, English-language edition, Pub by VDM Verlag.
Friederike Krishnabhakdi-Vasilakis, Paperback, English-language edition, Pub by VDM Verlag.
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