Formal Properties as the Basis for Value in Music - 8 Angebote vergleichen

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Seminar paper from the year 2013 in the subject Musicology, grade: 100.00%, Pepperdine University (Seaver College), course: Philosophy of Aesthetics, language: English, comment: Selected for publication in Pepperdine's departmental journal: "Global Tides: Seaver Journal of Arts and Sciences" , abstract: This paper defends the thesis that value in a piece of music is based in its formal properties rather than its non-formal properties. Two arguments are presented to support this conclusion. The first argument shows that if value in music is to be objective, then it must be grounded in a piece's formal properties rather than its non-formal properties. In the second argument, a number of alternate possibilities for grounding value in music are considered and shown to miss the mark or be inadequate. Finally, a number of possible objections against the arguments and conclusion are considered and possible responses to them given.2014. 16 S. 210 mmVersandfertig in 3-5 Tagen, Softcover.

Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
This item is printed on demand - Print on Demand Titel. Neuware - Seminar paper from the year 2013 in the subject Musicology, grade: 100.00%, Pepperdine University (Seaver College), course: Philosophy of Aesthetics, language: English, comment: Selected for publication in Pepperdine's departmental journal: 'Global Tides: Seaver Journal of Arts and Sciences' , abstract: This paper defends the thesis that value in a piece of music is based in its formal properties rather than its non-formal properties. Two arguments are presented to support this conclusion. The first argument shows that if value in music is to be objective, then it must be grounded in a piece's formal properties rather than its non-formal properties. In the second argument, a number of alternate possibilities for grounding value in music are considered and shown to miss the mark or be inadequate. Finally, a number of possible objections against the arguments and conclusion are considered and possible responses to them given. 16 pp. Englisch.

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Seminar paper from the year 2013 in the subject Musicology, grade: 100.00%, Pepperdine University (Seaver College), course: Philosophy of Aesthetics, language: English, comment: Selected for publication in Pepperdine's departmental journal: "Global Tides: Seaver Journal of Arts and Sciences" , abstract: This paper defends the thesis that value in a piece of music is based in its formal properties rather than its non-formal properties. Two arguments are presented to support this conclusion. The first argument shows that if value in music is to be objective, then it must be grounded in a piece's formal properties rather than its non-formal properties. In the second argument, a number of alternate possibilities for grounding value in music are considered and shown to miss the mark or be inadequate. Finally, a number of possible objections against the arguments and conclusion are considered and possible responses to them given.

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Thomas Yee,Paperback, English-language edition,Pub by GRIN Verlag GmbH.

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