New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss
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New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss
DE PB NW
ISBN: 9783656688013 bzw. 365668801X, in Deutsch, Grin Verlag Grin Verlag Gmbh, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name "Tone Poems." Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today.2014. 24 S. 210 mmVersandfertig in 3-5 Tagen, Softcover.
buecher.de GmbH & Co. KG, [1].
Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name "Tone Poems." Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today.2014. 24 S. 210 mmVersandfertig in 3-5 Tagen, Softcover.
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New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss (2014)
DE PB NW RP
ISBN: 9783656688013 bzw. 365668801X, in Deutsch, Grin Verlag Gmbh Jul 2014, Taschenbuch, neu, Nachdruck.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, NDS, Germany.
This item is printed on demand - Print on Demand Titel. Neuware - Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so-the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name 'Tone Poems.' Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today. 24 pp. Englisch.
This item is printed on demand - Print on Demand Titel. Neuware - Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so-the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name 'Tone Poems.' Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today. 24 pp. Englisch.
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New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss (Paperback) (2014)
DE PB NW RP
ISBN: 9783656688013 bzw. 365668801X, in Deutsch, GRIN Verlag GmbH, United States, Taschenbuch, neu, Nachdruck.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.Seminar paper from the year 2012 in the subject Musicology, grade: 100.00 , Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so-the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name Tone Poems. Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt s and Strauss Symphonic Poems remain part of Symphony Orchestra s standard repertoire today.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.Seminar paper from the year 2012 in the subject Musicology, grade: 100.00 , Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so-the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name Tone Poems. Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt s and Strauss Symphonic Poems remain part of Symphony Orchestra s standard repertoire today.
4
New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss
DE NW
ISBN: 9783656688013 bzw. 365668801X, in Deutsch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten.
Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name "Tone Poems." Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today.
Seminar paper from the year 2012 in the subject Musicology, grade: 100.00%, Pepperdine University, course: Music History II, language: English, abstract: The Symphonic Poem (or Tone Poem, as it was known under Richard Strauss) stands tall as one of the landmarks of the development of orchestral music. However, this was not always so the recognition and honor that is now awarded to the Symphonic Poems of Franz Liszt and Strauss was a firestorm of critique and controversy at the time of the Symphonic Poems' premieres. As with any starkly new development in concert music, the advent of the Symphonic Poem under Franz Liszt bore two defining characteristics that were a definite and deliberate breach with the orchestral works before them. First, Liszt chose to discard the Sonata and dance forms that had traditionally defined the Symphony, instead developing the technique of Thematic Transformation as a means of structuring and unifying his Symphonic Poems. Second, he attached a descriptive title and usually a programme as a way of connecting his Symphonic Poems to extra-musical narratives or ideas, a move that conservative composers, critics, and proponents of Absolute Music abhorred and reviled. Though the genre of the Symphonic Poem was born under Liszt, it was refined and arguably perfected by Richard Strauss, who wrote even more ambitious Symphonic Poems under the name "Tone Poems." Though Strauss faced just as much criticism and controversy for his Tone Poems as Liszt did with his Symphonic Poems, the Symphonic Poem has since become recognized as an essential and unique milestone in the development of the large-scale orchestral work, and many of Liszt's and Strauss' Symphonic Poems remain part of Symphony Orchestra's standard repertoire today.
6
New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss
~EN PB NW
ISBN: 365668801X bzw. 9783656688013, vermutlich in Englisch, GRIN Publishing, Taschenbuch, neu.
New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss ab 12.99 € als Taschenbuch: 1. Auflage. Aus dem Bereich: Bücher, Kunst & Musik,.
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New Wine Demands New Bottles: The Symphonic Poem Und (2014)
~EN PB NW
ISBN: 9783656688013 bzw. 365668801X, vermutlich in Englisch, Taschenbuch, neu.
Lieferung aus: Deutschland, Next Day, Versandkostenfrei.
Erscheinungsdatum: 04.07.2014, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss, Auflage: 1. Auflage von 2014 // 1. Auflage, Autor: Yee, Thomas, Verlag: GRIN Publishing, Sprache: Englisch, Rubrik: Musik // Allg. Handbücher, Lexika, Seiten: 24, Gewicht: 55 gr, Verkäufer: averdo.
Erscheinungsdatum: 04.07.2014, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss, Auflage: 1. Auflage von 2014 // 1. Auflage, Autor: Yee, Thomas, Verlag: GRIN Publishing, Sprache: Englisch, Rubrik: Musik // Allg. Handbücher, Lexika, Seiten: 24, Gewicht: 55 gr, Verkäufer: averdo.
8
New Wine Demands New Bottles: The Symphonic Poem Under Liszt and Strauss (2014)
EN NW
ISBN: 9783656688013 bzw. 365668801X, in Englisch, GRIN Verlag GmbH, GRIN Verlag GmbH, GRIN Verlag GmbH, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25.
Thomas Yee,Paperback, English-language edition,Pub by GRIN Verlag GmbH.
Thomas Yee,Paperback, English-language edition,Pub by GRIN Verlag GmbH.
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