Von dem Buch De oude man en de zee haben wir 4 gleiche oder sehr ähnliche Ausgaben identifiziert!
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100%: E. Hemingway: De oude man en de zee (ISBN: 9789060105566) Strengholt United Media, Erstausgabe, in Holländisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: CF Tunnicliffe, Ernest Hemingway, Raymond Sheppard: De oude man en de zee (ISBN: 9789049400651) 2010, A.J.G. Strengholt's Boeken Anno 1928 B.V. A.J.G. Strengholt's Boeken Anno B.V. A.J.G. Strengholt's Boeken Anno B.V., in Holländisch, auch als eBook.
Nur diese Ausgabe anzeigen…
Nur diese Ausgabe anzeigen…
100%: E. Hemingway, Ernest Hemingway: De oude man en de zee (Strengholt Classics) (ISBN: 9789058601513) 2001, Jonathan Cape, 2. Ausgabe, in Holländisch, Broschiert.Nur diese Ausgabe anzeigen…
87%: Ernest Hemingway: Oude man en de zee (ISBN: 9789060101841) in Holländisch, Broschiert.Nur diese Ausgabe anzeigen…
De oude man en de zee - 6 Angebote vergleichen
Bester Preis: € 38,00 (vom 29.02.2024)1
De oude man en de zee
NL NWISBN: 9789058601513 bzw. 905860151X, in Holländisch, neu.
Lieferung aus: Niederlande, 3 werkdagen.
De oude man en de zeeErnest HemingwayDe oude Cubaanse visser Santiago heeft al 84 dagen niets gevangen en wordt daarom bespot door andere vissers. Manolin, zijn jonge assistent, moet van zijn ouders tegen zijn zin meegaan met een meer succesvolle visser. Om zijn reputatie te redden gaat Santiago heel ver de zee op. Daar vangt hij een enorme marlijn, die hij met een bovenmatige krachtsinspanning naar huis sleept. Onderweg wordt deze echter opgegeten door haaien, zodat hij alleen met een groot karkas aan land gaat. Hij sleept zich naar zijn hut, waar hij in een diepe slaap valt. Inmiddels hebben de andere vissers het karkas gezien en zijn diep onder de indruk. Als Santiago wakker wordt, zit Manolin aan zijn bed en vertelt hem dat hij ondanks zijn ouders in het vervolg weer met hem meegaat, omdat hij nog veel van hem kan leren. Deze novelle (Pulitzer Prize, 1952) van de belangrijke Amerikaanse schrijver (1899-1961), die in 1954 de Nobelprijs voor Literatuur kreeg, is een nu klassiek... tijdelijk bij bestelling van euro 20,00 of meer gratis verzending.
De oude man en de zeeErnest HemingwayDe oude Cubaanse visser Santiago heeft al 84 dagen niets gevangen en wordt daarom bespot door andere vissers. Manolin, zijn jonge assistent, moet van zijn ouders tegen zijn zin meegaan met een meer succesvolle visser. Om zijn reputatie te redden gaat Santiago heel ver de zee op. Daar vangt hij een enorme marlijn, die hij met een bovenmatige krachtsinspanning naar huis sleept. Onderweg wordt deze echter opgegeten door haaien, zodat hij alleen met een groot karkas aan land gaat. Hij sleept zich naar zijn hut, waar hij in een diepe slaap valt. Inmiddels hebben de andere vissers het karkas gezien en zijn diep onder de indruk. Als Santiago wakker wordt, zit Manolin aan zijn bed en vertelt hem dat hij ondanks zijn ouders in het vervolg weer met hem meegaat, omdat hij nog veel van hem kan leren. Deze novelle (Pulitzer Prize, 1952) van de belangrijke Amerikaanse schrijver (1899-1961), die in 1954 de Nobelprijs voor Literatuur kreeg, is een nu klassiek... tijdelijk bij bestelling van euro 20,00 of meer gratis verzending.
2
De oude man en de zee (Strengholt Classics) (2001)
NL HC USISBN: 9789058601513 bzw. 905860151X, in Holländisch, 127 Seiten, 2. Ausgabe, Jonathan Cape, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days.
Von Händler/Antiquariat, MurrayMediaUK.
Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame: Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air. If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus, Hardcover, Ausgabe: 2nd, Label: Jonathan Cape, Jonathan Cape, Produktgruppe: Book, Publiziert: 2001-01-01, Freigegeben: 2001-01-01, Studio: Jonathan Cape.
Von Händler/Antiquariat, MurrayMediaUK.
Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame: Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air. If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus, Hardcover, Ausgabe: 2nd, Label: Jonathan Cape, Jonathan Cape, Produktgruppe: Book, Publiziert: 2001-01-01, Freigegeben: 2001-01-01, Studio: Jonathan Cape.
3
De oude man en de zee (Strengholt Classics) (2001)
NL HC NWISBN: 9789058601513 bzw. 905860151X, in Holländisch, 127 Seiten, 2. Ausgabe, Jonathan Cape, gebundenes Buch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days.
Von Händler/Antiquariat, rbmbooks.
Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame: Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air. If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus, Hardcover, Ausgabe: 2nd, Label: Jonathan Cape, Jonathan Cape, Produktgruppe: Book, Publiziert: 2001-01-01, Freigegeben: 2001-01-01, Studio: Jonathan Cape.
Von Händler/Antiquariat, rbmbooks.
Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame: Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air. If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus, Hardcover, Ausgabe: 2nd, Label: Jonathan Cape, Jonathan Cape, Produktgruppe: Book, Publiziert: 2001-01-01, Freigegeben: 2001-01-01, Studio: Jonathan Cape.
4
De oude man en de zee (2010)
NL NW EB DLISBN: 9789049400651 bzw. 9049400655, in Holländisch, A.J.G. Strengholt's Boeken Anno 1928 B.V. A.J.G. Strengholt's Boeken Anno B.V. A.J.G. Strengholt's Boeken Anno B.V. neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, in-stock.
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Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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