Helen 12 trees - 11 Angebote vergleichen

Lieferung aus: Deutschland, Versandfertig in 1 - 2 Wochen.
Among all jazz musicians emerging from the bebop era, Charlie Mariano was one of the few with the capacity to act like a chameleon. Returning from his extensive journeys – musically as well as physically – through Japan, Malaysia and India in the 1960s and 1970s he found his way back to the jazz circuit by starting a new artistic life in Europe. He managed to adapt himself to the jazz rock vocabulary of the time integrating his Asian experiences and shaping a multi-faceted tone. Settling down to work in Germany he played with Eberhard Weber as well as the crazy world music pioneers Embryo, founded the legendary Pork Pie with Jasper van´t Hof and Philippe Catherine and also helped launch the United Jazz & Rock Ensemble. “Helen 12 TreesÂö is a rare but all the more beautiful showcase of Mariano´s varied attitudes of that period, a mirror of his mind of the mid-1970s. For the recording produced by Joachim Ernst Berendt for MPS he gathered an illustrious circle of fusion musicians: Polish violin wizard Zbigniew Seifert was at the height of his short career, Moog and electric piano master Jan Hammer already had earned his merits through his Mahavishnu fame. On drums we find another jazz rock giant, John Marshall of Soft Machine and Nucleus, who had also contributed to Pork Pie, whereas ex-Cream bassist Jack Bruce shows his ability to act in the jazz rock field. Eventually, Nippy Noya fits in brilliantly with his percussive gimmicks. Mariano proves to be an excellent ensemble man who always serves his band. He lets Hammer take the leading role in the title track before bursting out on his alto. In “Parvati´s DanceÂö, he takes us on a modal, almost majestically marching journey to Carnatic music as he presents the charming South Indian double-reed instrument Nagaswaram, imbedded by violin and keyboard cascades. A free-floating duet between the leader´s flute and the violin follows, playing with the vocabulary of Western classical music but also overcoming it. “Thorn Of A White RoseÂö is a wild thing with improvisation by Charlie and Zbigniew and even a hint of Caribbean flavour. Changing to the soprano, “Neverglades PixieÂö displays Mariano´s tone in all its beauty, as he creates the mischievous character of a little creature in the swamp: sharp, precise and full of power on the one hand, seductive, elegant and lyrical on the other. This can all the more be witnessed in his dialogue with the piano, “CharlotteÂö, where he also displays his famous warmth on the instrument. Finally “Avoid The Year Of The MonkeyÂö closes the recording with a wonderful melodic loop over 5/4 metric, laying the ground for breathtaking passion and boisterous joy of the whole band. We don´t know why Charlie Mariano wanted to avoid this year which is credited by the Chinese horoscope to be a period of flexibility and creativity. Might just be because this charming and warm-hearted man already possessed plenty of it.

Lieferung aus: Deutschland, Versandfertig in 1 - 2 Wochen.
Among all jazz musicians emerging from the bebop era, Charlie Mariano was one of the few with the capacity to act like a chameleon. Returning from his extensive journeys – musically as well as physically – through Japan, Malaysia and India in the 1960s and 1970s he found his way back to the jazz circuit by starting a new artistic life in Europe. He managed to adapt himself to the jazz rock vocabulary of the time integrating his Asian experiences and shaping a multi-faceted tone. Settling down to work in Germany he played with Eberhard Weber as well as the crazy world music pioneers Embryo, founded the legendary Pork Pie with Jasper van´t Hof and Philippe Catherine and also helped launch the United Jazz & Rock Ensemble. “Helen 12 Treesö is a rare but all the more beautiful showcase of Mariano´s varied attitudes of that period, a mirror of his mind of the mid-1970s. For the recording produced by Joachim Ernst Berendt for MPS he gathered an illustrious circle of fusion musicians: Polish violin wizard Zbigniew Seifert was at the height of his short career, Moog and electric piano master Jan Hammer already had earned his merits through his Mahavishnu fame. On drums we find another jazz rock giant, John Marshall of Soft Machine and Nucleus, who had also contributed to Pork Pie, whereas ex-Cream bassist Jack Bruce shows his ability to act in the jazz rock field. Eventually, Nippy Noya fits in brilliantly with his percussive gimmicks. Mariano proves to be an excellent ensemble man who always serves his band. He lets Hammer take the leading role in the title track before bursting out on his alto. In “Parvati´s Danceö, he takes us on a modal, almost majestically marching journey to Carnatic music as he presents the charming South Indian double-reed instrument Nagaswaram, imbedded by violin and keyboard cascades. A free-floating duet between the leader´s flute and the violin follows, playing with the vocabulary of Western classical music but also overcoming it. “Thorn Of A White Roseö is a wild thing with improvisation by Charlie and Zbigniew and even a hint of Caribbean flavour. Changing to the soprano, “Neverglades Pixieö displays Mariano´s tone in all its beauty, as he creates the mischievous character of a little creature in the swamp: sharp, precise and full of power on the one hand, seductive, elegant and lyrical on the other. This can all the more be witnessed in his dialogue with the piano, “Charlotteö, where he also displays his famous warmth on the instrument. Finally “Avoid The Year Of The Monkeyö closes the recording with a wonderful melodic loop over 5/4 metric, laying the ground for breathtaking passion and boisterous joy of the whole band. We don´t know why Charlie Mariano wanted to avoid this year which is credited by the Chinese horoscope to be a period of flexibility and creativity. Might just be because this charming and warm-hearted man already possessed plenty of it.

Lieferung aus: Schweiz, zzgl. Versandkosten, Versandfertig innert 1 - 2 Wochen.
Among all jazz musicians emerging from the bebop era, Charlie Mariano was one of the few with the capacity to act like a chameleon. Returning from his extensive journeys – musically as well as physically – through Japan, Malaysia and India in the 1960s and 1970s he found his way back to the jazz circuit by starting a new artistic life in Europe. He managed to adapt himself to the jazz rock vocabulary of the time integrating his Asian experiences and shaping a multi-faceted tone. Settling down to work in Germany he played with Eberhard Weber as well as the crazy world music pioneers Embryo, founded the legendary Pork Pie with Jasper van´t Hof and Philippe Catherine and also helped launch the United Jazz & Rock Ensemble. “Helen 12 Treesö is a rare but all the more beautiful showcase of Mariano´s varied attitudes of that period, a mirror of his mind of the mid-1970s. For the recording produced by Joachim Ernst Berendt for MPS he gathered an illustrious circle of fusion musicians: Polish violin wizard Zbigniew Seifert was at the height of his short career, Moog and electric piano master Jan Hammer already had earned his merits through his Mahavishnu fame. On drums we find another jazz rock giant, John Marshall of Soft Machine and Nucleus, who had also contributed to Pork Pie, whereas ex-Cream bassist Jack Bruce shows his ability to act in the jazz rock field. Eventually, Nippy Noya fits in brilliantly with his percussive gimmicks. Mariano proves to be an excellent ensemble man who always serves his band. He lets Hammer take the leading role in the title track before bursting out on his alto. In “Parvati´s Danceö, he takes us on a modal, almost majestically marching journey to Carnatic music as he presents the charming South Indian double-reed instrument Nagaswaram, imbedded by violin and keyboard cascades. A free-floating duet between the leader´s flute and the violin follows, playing with the vocabulary of Western classical music but also overcoming it. “Thorn Of A White Roseö is a wild thing with improvisation by Charlie and Zbigniew and even a hint of Caribbean flavour. Changing to the soprano, “Neverglades Pixieö displays Mariano´s tone in all its beauty, as he creates the mischievous character of a little creature in the swamp: sharp, precise and full of power on the one hand, seductive, elegant and lyrical on the other. This can all the more be witnessed in his dialogue with the piano, “Charlotteö, where he also displays his famous warmth on the instrument. Finally “Avoid The Year Of The Monkeyö closes the recording with a wonderful melodic loop over 5/4 metric, laying the ground for breathtaking passion and boisterous joy of the whole band. We don´t know why Charlie Mariano wanted to avoid this year which is credited by the Chinese horoscope to be a period of flexibility and creativity. Might just be because this charming and warm-hearted man already possessed plenty of it.

An Introduction to South Indian Music. Lehrbuch ab 22.95 € als sonstiges: . Aus dem Bereich: Bücher, Kunst & Musik,.

Lieferung aus: Deutschland, Next Day, Versandkostenfrei.
Erscheinungsdatum: 01.01.2000, Medium: Stück, Einband: Geheftet, Titel: An Introduction to South Indian Music. Lehrbuch, Autor: Mariano, Charlie, Verlag: advance music GmbH // advance music, Sprache: Englisch, Rubrik: Musiktheorie // Musiklehre, Seiten: 86, Informationen: Lehrbuch (Rückendrahtheftung), Gewicht: 338 gr, Verkäufer: averdo.

Lieferung aus: Deutschland, Versandkostenfrei.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Lieferung aus: Schweiz, Versandfertig innert 1 - 2 Werktagen.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Lieferzeit: 11 Tage, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

An Introduction to South Indian Music. Lehrbuch ab 22.95 EURO.

Lieferung aus: Deutschland, 01-3 Tage.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen