From Drawing to Painting: Poussin, Watteau, Fragonard, David, and Ingres
11 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Monroe Street Books.
New York: The Metropolitan Museum of Art, 1988. 1st Edition. Hardcover. Very Good/Good. 635 pages. Hardcover. Blue cloth boards with gilt titles to spine. Dust jacket with a couple tears, chip to lower right corner now protected with a plastic cover. Full page, full color & b/w illustrations throughout. Clean, unmarked copy. Record # 750268.

Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
New York: The Metropolitan Museum of Art, 1988. Hardbound. VG/Good, minor tears to dustjkacket. Bright blue cloth, gold lettering, illus. dj; 635 pp.; 141 color illustrations and over 1000 bw illustrations. Published in conjunction with the exhibitions at Galeries Nationales du Grand Palais, Paris and The Metropolitan Museum of Art, New York, 1988. A weighty tome! "If the art of Jean-Honore Fragonard (1732-1806) consisted entirely of coy bedroom scenes, chubby cupids, slick sensual allegories and sentimental portraits of bearded old men, one could easily dismiss the French rococo painter as passe. But the exhibition now at the Metropolitan Museum of Art, and this catalogue, give us Fragonard the moody outsider from Provence, the nature poet who liberated painting with his spontaneous brushwork. Rosenberg, chief curator at the Louvre, where the exhibit made its debut, helps us to appreciate the keen observation of the Italian drawings, the naturalism of the landscapes and animal studies. In the wild poetry of Wagon in the Mud or the totally unforced intimacy of The Kiss, Fragonard tapped depths of feeling rarely glimpsed in his historical or genre paintings. The overwritten text, full of superlatives, is complemented by 1300 illustrations, making this the fullest account to date of Fragonard's opus." (Publishers Weekly).

Von Händler/Antiquariat, Mullen Books, ABAA [4572], Marietta, PA, U.S.A.
Bright blue cloth, gold lettering, illus. dj; 635 pp.; 141 color illustrations and over 1000 bw illustrations. Published in conjunction with the exhibitions at Galeries Nationales du Grand Palais, Paris and The Metropolitan Museum of Art, New York, 1988. A weighty tome! "If the art of Jean-Honore Fragonard (1732-1806) consisted entirely of coy bedroom scenes, chubby cupids, slick sensual allegories and sentimental portraits of bearded old men, one could easily dismiss the French rococo painter as passe. But the exhibition now at the Metropolitan Museum of Art, and this catalogue, give us Fragonard the moody outsider from Provence, the nature poet who liberated painting with his spontaneous brushwork. Rosenberg, chief curator at the Louvre, where the exhibit made its debut, helps us to appreciate the keen observation of the Italian drawings, the naturalism of the landscapes and animal studies. In the wild poetry of Wagon in the Mud or the totally unforced intimacy of The Kiss, Fragonard tapped depths of feeling rarely glimpsed in his historical or genre paintings. The overwritten text, full of superlatives, is complemented by 1300 illustrations, making this the fullest account to date of Fragonard's opus." (Publishers Weekly). VG/Good, minor tears to dustjkacket.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
used books,books, Pierre Rosenberg, the distinguished art historian and director of the Mus�e du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honor� Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copyi.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, in-stock.
Pierre Rosenberg, the distinguished art historian and director of the Musée du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists-Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres-with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C,From Drawing to Painting gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library.

Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, Half Price Books Inc, TX, Dallas, [RE:5].
Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority! Hardcover.

Von Händler/Antiquariat, Eau Claire Friendly Reader [63358701], Eau Claire, WI, U.S.A.
Good to very good condition, but ex-library with usual markings and stickers. Extra shipping charges may apply. Books.

Von Händler/Antiquariat, Sunshine State Books [3668676], Lithia, FL, U.S.A.
Hardcover--spine tight--pages unmarked--cover good--no dust cover, Books.

Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: USA.
Von Händler/Antiquariat, Ergodebooks.
Harry N Abrams, 1988-07. Hardcover. Good.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
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