The Possessed (The Devils) - 9 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, in-stock.
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part-so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch A.

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IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part—so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man.

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bol.com.
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch... IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part—so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 1465589368;ISBN13: 9781465589361; Engels | Ebook | 2009.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, الكتاب الإليكتروني للتحميل, الشحن مجاناً.
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part—so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man. Kindle Edition, تنسيق: Kindle eBook, التسمية: Library of Alexandria, Library of Alexandria, مجموعة المنتجات: eBooks, ونشرت: 2009-07-29, تاريخ الإصدار: 2013-11-07, ستوديو: Library of Alexandria.

Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch... IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part—so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers geschikt voor ebooks in ePub formaat. Tablet of smartphone voorzien van een app zoals de bol.com Kobo app.;ISBN10: 1465589368;ISBN13: 9781465589361; Engelstalig | Ebook.

Lieferung aus: Kanada, in-stock.
Ive always felt that fiction is like a window to the past, and with The Devils, Dostoevsky gives us a clear glimpse at the underground politics brewing in Czarist Russia. At the same time, his propensity to write about criminals and people with criminal hearts is nowhere more emphasized among his major novels than in this one. There is not one character I could identify as a traditional hero, not even the semi-anonymous narrator, who relates the novels events with the impartiality of a security camera; they are all antiheros - a room full of Raskolnikovs. The novel concerns a small band of Russian intellectuals, atheists, socialists, anarchists, and various other rabble who are distributing subversive leaflets in an attempt to incite the proletariat to revolt against the government. They are a motley group, destined to fail because they lack general competence, organizational skills, a clear agenda, definite plans, and even uniform ideas. The only thing they have in common is that they dont like the way things currently are in Russia and intend to change them, violently if necessary. Among this group we meet Nicholas Stavrogin, an obnoxious, insensitive young man who is only looking out for himself and is not above having affairs with his friends wives. The groups prime mover and instigator is Peter Verkhovensky, whose father Stepan had been Nicholass tutor and is still living platonically with Nicholass widowed mother, one of the wealthier citizens of the town in which the novel takes place. The groups rank-and-file who figure most prominently into the plot include the suicidal Kirilov, a former member (and potential informer) named Shatov who just wants to put it all behind him, a useless drunkard named Lebyatkin who acts as the groups stooge, and an escaped convict named Fedka who becomes the groups henchman. That many of these people are dead by the end of the novel is not as surprising as how they get that way. The plot is built around intrigues, disloyalti.

Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
Ive always felt that fiction is like a window to the past, and with The Devils, Dostoevsky gives us a clear glimpse at the underground politics brewing in Czarist Russia. At the same time, his propensity to write about criminals and people with criminal hearts is nowhere more emphasized among his major novels than in this one. There is not one character I could identify as a traditional hero, not even the semi-anonymous narrator, who relates the novels events with the impartiality of a security ... Ive always felt that fiction is like a window to the past, and with The Devils, Dostoevsky gives us a clear glimpse at the underground politics brewing in Czarist Russia. At the same time, his propensity to write about criminals and people with criminal hearts is nowhere more emphasized among his major novels than in this one. There is not one character I could identify as a traditional hero, not even the semi-anonymous narrator, who relates the novels events with the impartiality of a security camera; they are all antiheros -- a room full of Raskolnikovs. The novel concerns a small band of Russian intellectuals, atheists, socialists, anarchists, and various other rabble who are distributing subversive leaflets in an attempt to incite the proletariat to revolt against the government. They are a motley group, destined to fail because they lack general competence, organizational skills, a clear agenda, definite plans, and even uniform ideas. The only thing they have in common is that they dont like the way things currently are in Russia and intend to change them, violently if necessary. Among this group we meet Nicholas Stavrogin, an obnoxious, insensitive young man who is only looking out for himself and is not above having affairs with his friends wives. The groups prime mover and instigator is Peter Verkhovensky, whose father Stepan had been Nicholass tutor and is still living platonically with Nicholass widowed mother, one of the wealthier citizens of the town in which the novel takes place. The groups rank-and-file who figure most prominently into the plot include the suicidal Kirilov, a former member (and potential informer) named Shatov who just wants to put it all behind him, a useless drunkard named Lebyatkin who acts as the groups stooge, and an escaped convict named Fedka who becomes the groups henchman. That many of these people are dead by the end of the novel is not as surprising as how they get that way. The plot is built around intrigues, disloyalties, and the type of drawing-room confessions and revelations that characterize the best mysteries. Its not difficult to guess that there is a juicy secret about Lebyatkins crippled, mentally disturbed sister Mary, or that the elegant fete arranged by Julia Lembke, the Governors wife, will culminate in a spectacular, outrageous, and perhaps deadly climax; Dostoevsky likes sensationalism and never misses a chance to use human frailty and folly as hosts upon which the morally hollow feed like parasites. Dostoevskys description of these men as devils is a biblical allusion to the book of Luke, translating Christs power to drive the devils out of a possessed man into a herd of swine to the cleansing of Russia of its nefarious political elements. It would appear that The Devils is Dostoevskys effort to demonize the soulless, devilish radicals who have no moral underpinnings and who would replace everything he considers good about Russia (namely, the Eastern Orthodox Church) with Western ideas. There is an obvious parallel to the Bolshevik Revolution of nearly half a century later, which shows that such Socialist sentiment had been bubbling under the Russian mainstream for many years prior to its twentieth century emergence. In that sense, this is a prescient novel of historical and political interest. Productinformatie:Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Bestandsgrootte: 1.77 MB;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Printrechten: Het printen van de pagina's is niet toegestaan;Voorleesfunctie: De voorleesfunctie is uitgeschakeld;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 148641365X;ISBN13: 9781486413652; Engels | Ebook | 2012.

Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
This is an 1872 anti-nihilistic novel by Fyodor Dostoyevsky. Although titled The Possessed in the initial English translation (which is this version), Dostoyevsky scholars and later translations favour the titles The Devils or Demons. An extremely political book, The Possessed is a testimonial of life in Imperial Russia in the late 19th century. As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoyevsky casts a critical eye on both the radical ideali... This is an 1872 anti-nihilistic novel by Fyodor Dostoyevsky. Although titled The Possessed in the initial English translation (which is this version), Dostoyevsky scholars and later translations favour the titles The Devils or Demons. An extremely political book, The Possessed is a testimonial of life in Imperial Russia in the late 19th century. As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoyevsky casts a critical eye on both the radical idealists, portraying their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences. This form of intellectual conservativism tied to the Slavophile movement of Dostoyevsky's day, called Pochvennichestvo, is seen to have continued on into its modern manifestation in individuals like Aleksandr Solzhenitsyn. Dostoyevsky's novels focus on the idea that utopias and positivist ideas, in being utilitarian, were unrealistic and unobtainable. The book has five primary characters representing different ideologies. By exploring their differing philosophies, Dostoyevsky describes the political chaos seen in 19th century Russia.Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;Verschijningsdatum: november 2014;ISBN10: 1634615131;ISBN13: 9781634615136; Engelstalig | Ebook | 2014.

Lieferung aus: Frankreich, in-stock.
This is an 1872 anti-nihilistic novel by Fyodor Dostoyevsky. Although titled The Possessed in the initial English translation (which is this version), Dostoyevsky scholars and later translations favour the titles The Devils or Demons. An extremely political book, The Possessed is a testimonial of life in Imperial Russia in the late 19th century. As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoyevsky casts a critical eye on both the radical idealists, portraying their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences. This form of intellectual conservativism tied to the Slavophile movement of Dostoyevsky's day, called Pochvennichestvo, is seen to have continued on into its modern manifestation in individuals like Aleksandr Solzhenitsyn. Dostoyevsky's novels focus on the idea that utopias and positivist ideas, in being utilitarian, were unrealistic and unobtainable. The book has five primary characters representing different ideologies. By exploring their differing philosophies, Dostoyevsky describes the political chaos seen in 19th century Russia.