Body and the East: From the 1960s to the Present Format: Paperback
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Body and the East: From the 1960s to the Present
EN USISBN: 9780262522649 bzw. 0262522640, in Englisch, The MIT Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei nach: USA.
Von Händler/Antiquariat, Better World Books.
The MIT Press. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
Von Händler/Antiquariat, Better World Books.
The MIT Press. Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!
2
Body and the East: From the 1960s to the Present (1999)
EN PB NWISBN: 9780262522649 bzw. 0262522640, in Englisch, Mit Press, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandfertig innerhalb von 3 Wochen.
Body and the East: From the 1960s to the Present with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and othersThe earliest ´´body art´´ was created in Eastern Europe in the early 1960s. The term ´´body art´´ includes a wide range of practices in which the artist´s own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar &Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West. 01.08.1999, Taschenbuch.
Body and the East: From the 1960s to the Present with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and othersThe earliest ´´body art´´ was created in Eastern Europe in the early 1960s. The term ´´body art´´ includes a wide range of practices in which the artist´s own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar &Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West. 01.08.1999, Taschenbuch.
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Body and the East: From the 1960s to the Present (1999)
EN PB NWISBN: 9780262522649 bzw. 0262522640, in Englisch, 192 Seiten, The MIT Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, PBShop US.
with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest "body art" was created in Eastern Europe in the early 1960s. The term "body art" includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar & Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 1999-08-06, Studio: The MIT Press, Verkaufsrang: 3625287.
Von Händler/Antiquariat, PBShop US.
with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest "body art" was created in Eastern Europe in the early 1960s. The term "body art" includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar & Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 1999-08-06, Studio: The MIT Press, Verkaufsrang: 3625287.
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Body and the East, From the 1960s to the Present (1999)
EN PB NWISBN: 9780262522649 bzw. 0262522640, in Englisch, Mit Press Ltd, Taschenbuch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
Von Privat, bol.com.
with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest body art was created in Eastern Europe in the early 1960s. The term body art includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the... with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest body art was created in Eastern Europe in the early 1960s. The term body art includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar & Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West.Soort: Met illustraties;Taal: Engels;Afmetingen: 20x249x239 mm;Gewicht: 703,00 gram;Geschikt voor: 18 jaar en ouder;Verschijningsdatum: augustus 1999;ISBN10: 0262522640;ISBN13: 9780262522649; Engelstalig | Paperback | 1999.
Von Privat, bol.com.
with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest body art was created in Eastern Europe in the early 1960s. The term body art includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the... with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest body art was created in Eastern Europe in the early 1960s. The term body art includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar & Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West.Soort: Met illustraties;Taal: Engels;Afmetingen: 20x249x239 mm;Gewicht: 703,00 gram;Geschikt voor: 18 jaar en ouder;Verschijningsdatum: augustus 1999;ISBN10: 0262522640;ISBN13: 9780262522649; Engelstalig | Paperback | 1999.
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Body and the East: From the 1960s to the Present (1999)
EN PB USISBN: 9780262522649 bzw. 0262522640, in Englisch, Mit Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, Better World Books, IN, Mishawaka, [RE:4].
Trade paperback.
Von Händler/Antiquariat, Better World Books, IN, Mishawaka, [RE:4].
Trade paperback.
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